Band Today, Part 1 in French [L'Orchestre À Vent Moderne] Cover Image

Band Today, Part 1 in French [L'Orchestre À Vent Moderne]: Baritone (T.C.) Book

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Band Today, Part 1 in French [L'Orchestre À Vent Moderne] Cover Image

Band Today, Part 1 in French [L'Orchestre À Vent Moderne]: Baritone (T.C.) Book

A Band Method for Full Band Classes, Like-Instrument Classes or Individual Instruction

By James D. Ployhar

Item: 00-CBC00346

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Bienvenue dans le monde merveilluex de la Musique Instrumentale! Vous allez aborder une experience d'etude nouvelle et excitante qui vous gratifiera d'une vie entiere de plasir. Apprendre a devenir un bon musicien EXIGERA de vous une pratique et une concentration quotidiennes. Votre nouvelle methode, L'Orchestre A Vent Moderne, est concue pour vous aider a atteindre vos objectifs musicaux de la maniere la plus agreable. Bonne chance et meilleurs voeux!

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Additional Details
Series: Contemporary Band Course
Publisher: Alfred Music
Page Count: 36
ISBN10: 0-7692-6913-3
ISBN13: 978-0-7692-6913-9
UPC: 029156955552
SKU: 00-CBC00346
Instrumentation: Baritone (T.C.)

More about this title

About the Author: James D. Ployhar

James D. Ployhar

James D. Ployhar stands among the most prolific composers in music education, with over 800 published works to his name. His Contemporary Band Course represents decades of classroom experience combined with rigorous study in composition and orchestration, work that drew on mentorship from leading figures in European musical institutions. The course has transcended its American origins through translations into French and Norwegian, establishing itself as a teaching resource across multiple continents.

Beyond composition, Ployhar built a distinguished career as both a public school educator and university clinician, conducting workshops at institutions throughout North America and Europe. His contributions to band music earned him the National Band Association Citation of Excellence, recognition of his lasting impact on instrumental music pedagogy. He holds degrees from Valley City State University and Northern Colorado University, with advanced study in composition at California State University-Long Beach.

Why we love this

Ployhar's French edition maintains the pedagogical clarity and engaging progression that made the Contemporary Band Course a classroom staple for generations. For directors with French-speaking students or programs emphasizing francophone musical culture, this edition provides authentic access to essential band literature in their native language. The writing remains direct and musically purposeful, focused on building technique and musicianship rather than padding page counts.

What to expect

The writing is inviting and direct, offering clear musical goals within each lesson while honoring the learning process. You'll find straightforward progressions from foundational exercises into recognizable band arrangements, creating moments where students experience real musicianship early in their study.

Who it's for

This book serves beginning baritone players in middle and high school concert bands who benefit from structured, cumulative instruction in their native French language. It works equally well for any ensemble using the Contemporary Band Course in French, whether your students are learning baritone as their primary instrument or need supplementary material in French.

How to get the most out of it

  • Align your entrance cues with the baritone section leader; consistency in articulation and breath placement at the phrase level sets the tone for the entire low brass section.
  • Pay close attention to dynamic markings as written. Early method books often use dynamics as a tool for building tone control, so respect the printed levels even in soft passages.
  • Lock the rhythmic foundation with the tuba and low woodwinds. Your part frequently carries the harmonic anchor of the band, making your rhythmic precision essential to ensemble balance.
  • Practice the written concert key fingerings consistently. Treble clef baritone reading requires steady reinforcement, so treat each exercise as an opportunity to strengthen your reading fluency rather than rushing through it.

How to use it

Deploy this as your primary method resource for baritone students in grades 6-8, working through the 36 pages alongside your regular concert band rehearsals. The material aligns with standard band curricula, allowing you to assign lessons that complement your rehearsal focus and reinforce ensemble work at home.

Skills your students will build

  • Reading treble clef on baritone
  • Half-step and whole-step intervals
  • Basic rhythmic patterns in 2/4, 3/4, and 4/4
  • Long tone production and breath control
  • Articulation techniques (legato and staccato)
  • Part independence within ensemble contexts
  • Understanding of dynamic contrast

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