Accent on Performance Light Concert Collection Cover Image

Accent on Performance Light Concert Collection: Bassoon Book

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Accent on Performance Light Concert Collection Cover Image

Accent on Performance Light Concert Collection: Bassoon Book

22 Full Band Arrangements Correlated to Accent on Achievement

By John O'Reilly and Mark Williams

Item: 00-41335

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Description
Over the course of ten years, legendary young-band composers John O'Reilly and Mark Williams composed and arranged over 100 creative works that correlate with specific pages in their highly successful band method, Accent on Achievement. Alfred Music is now proud to make these arrangements available in a book format that includes 22 full arrangements in each collection.

The Light Concert Collection includes creative arrangements of folk, rock, jazz, and Latin-American music. Titles: Rockin' la Bamba * Sailors Holiday * River Trilogy * No Drummer Left Behind * African Marching Song * Stand Up and Swing * and 16 others.

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Additional Details
Series: Accent on Performance
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7390-9778-4
ISBN13: 978-0-7390-9778-6
UPC: 038081462288
SKU: 00-41335
Instrumentation: Bassoon

More about this title

About the Composer: John O'Reilly

John O'Reilly is a composer and educator whose work has shaped young band repertoire for generations. Over a decade-long collaboration with Mark Williams, he created more than 100 pieces designed to support students at specific skill levels while keeping their engagement and enjoyment front and center.

O'Reilly's arrangements reflect a deep understanding of what beginning and intermediate musicians need: music that teaches without feeling like a lesson, that sounds mature without overreaching technically, and that gives every section meaningful material to play.

Why we love this

These 22 arrangements give your bassoon section genuine moments to shine without asking them to carry the weight of the entire ensemble. The variety across folk, rock, jazz, and Latin styles means you're not programming the same harmonic or rhythmic vocabulary twice, so students stay curious about what comes next.

What to expect

These pieces capture the energy and accessibility of popular styles without sacrificing musical substance. You'll move from the infectious groove of Latin rhythms to the lyrical warmth of folk melodies to the playful swing of jazz charts, each one refreshing and genuinely fun to perform.

Who it's for

Bassoonists in school bands at the middle school or early high school level will find well-crafted parts that respect their instrument's voice while staying within their technical range. This collection also works for community bands, church ensembles, and after-school music programs looking for quality concert repertoire that doesn't demand advanced proficiency.

How to get the most out of it

  • Lock into the section's articulation before adding phrasing details; consistent tonguing on the rock and Latin numbers anchors the entire ensemble sound.
  • Listen for the counterlines written for bassoon in the jazz selections; these aren't just harmonic support, so bring them forward in rehearsal so players understand their melodic role.
  • Watch the dynamic shape within each phrase rather than hitting the printed marking and holding it. These arrangements reward subtle swells and pulls that make simple melodies feel intentional.
  • Balance your blend carefully in the folk arrangements where the texture is thinner; every note counts when you're not doubled.

How to use it

Build a full concert program around this collection by opening with one of the jazz or Latin selections to energize the audience, moving to a folk arrangement for contrast, then closing with an upbeat rock number. You can also distribute individual titles throughout the year as your band progresses through Accent on Achievement, pairing each concert piece with the corresponding method page for reinforcement.

Skills your students will build

  • Reading articulation patterns across rock, jazz, and Latin styles
  • Balancing harmonic and counterline roles within the woodwind section
  • Responding to dynamic shape and phrasing cues at moderate tempos
  • Playing in less familiar styles (Latin, jazz, rock) with confidence
  • Sustaining tone and intonation in unison and harmony passages

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