Accent on Performance Light Concert Collection Cover Image

Accent on Performance Light Concert Collection: Baritone Bass Clef Book

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Accent on Performance Light Concert Collection Cover Image

Accent on Performance Light Concert Collection: Baritone Bass Clef Book

22 Full Band Arrangements Correlated to Accent on Achievement

By John O'Reilly and Mark Williams

Item: 00-41976

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Description
Over the course of ten years, legendary young-band composers John O'Reilly and Mark Williams composed and arranged over 100 creative works that correlate with specific pages in their highly successful band method, Accent on Achievement. Alfred Music is now proud to make these arrangements available in a book format that includes 22 full arrangements in each collection.

The Light Concert Collection includes creative arrangements of folk, rock, jazz, and Latin-American music. Titles: Rockin' la Bamba * Sailors Holiday * River Trilogy * No Drummer Left Behind * African Marching Song * Stand Up and Swing * and 16 others.

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Additional Details
Series: Accent on Performance
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7390-9924-8
ISBN13: 978-0-7390-9924-7
UPC: 038081463964
SKU: 00-41976
Instrumentation: Baritone Bass Clef

More about this title

About the Composer: John O'Reilly

John O'Reilly is a composer and arranger whose name is synonymous with young band pedagogy. Over a decade of collaboration with Mark Williams, he created the extensive library underlying Accent on Achievement, one of the most widely adopted band methods in American music education. His arrangements balance accessibility with musical substance, making them invaluable resources for directors building repertoire that grows alongside their students' technical skills.

O'Reilly's work demonstrates a deep understanding of what young musicians need to play with confidence and musicality. His arrangements across multiple styles (folk, rock, jazz, Latin) show that concert band literature need not choose between engagement and artistry. Directors and students alike benefit from his gift for creating parts that are manageable without feeling trivial.

Why we love this

These arrangements trust your baritone players with genuine musical roles across diverse styles. Rather than padding parts with whole notes, O'Reilly and Williams craft melodic and harmonic lines that keep baritones invested in the ensemble sound. The collection's breadth (folk through Latin) means you can program music that feels fresh and varied without hunting through multiple publishers.

What to expect

The collection moves fluidly between musical worlds: rollicking folk energy, relaxed swing grooves, driving rock textures, and warm Latin rhythms. Baritone writing stays in a comfortable range while offering enough harmonic interest and rhythmic variety to keep players engaged. There's a built-in sense of progression and discovery across the 22 pieces, making the collection feel like a curated concert rather than a random assembly.

Who it's for

Concert band directors at the middle school and early high school level who need reliable, musically substantive arrangements that coordinate with Accent on Achievement method instruction. Baritone players benefit from repertoire that treats their instrument as more than a harmonic anchor, offering both technical challenge and musical satisfaction. Ensemble directors building diverse concert programs will find these 22 arrangements a practical foundation.

How to get the most out of it

  • Balance the baritone's role in the harmonic foundation with moments where it carries melody or counterline; mark these entrances in rehearsal so players recognize when they're featured versus supporting.
  • In the swing and jazz arrangements, attend closely to articulation markings; the difference between short and long tonguing creates the rhythmic pocket these styles demand.
  • Layer rehearsals by starting with rhythm section and baritones alone, then add upper voices; this solidifies intonation and rhythmic accuracy before full ensemble density.
  • Encourage players to listen for how baritone voicing changes the color of different sections, especially in pieces that shift between folk and contemporary idioms.

How to use it

Weave these arrangements throughout your concert season as between-pieces that build ensemble cohesion without requiring separate rehearsal time; many coordinate with method book study. Use the stylistic variety to introduce students to different musical traditions within a single rehearsal. The manageable page count allows you to rotate through multiple pieces in a single concert or build thematic programs (an all-Latin evening, a rock and folk set) without overloading students' folders.

Skills your students will build

  • Reading and performing in multiple styles (folk, rock, jazz, Latin) within a single collection
  • Harmonic awareness in baritone voicing and how it shapes ensemble color
  • Swing interpretation and rhythmic feel in jazz-inflected writing
  • Dynamic control and articulation nuance across contrasting arrangements
  • Listening skills for ensemble balance as baritone roles shift between foundation and countermelody

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