Accent on Performance Light Concert Collection Cover Image

Accent on Performance Light Concert Collection: Trumpet 2 Book

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Accent on Performance Light Concert Collection Cover Image

Accent on Performance Light Concert Collection: Trumpet 2 Book

22 Full Band Arrangements Correlated to Accent on Achievement

By John O'Reilly and Mark Williams

Item: 00-41348

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Description
Over the course of ten years, legendary young-band composers John O'Reilly and Mark Williams composed and arranged over 100 creative works that correlate with specific pages in their highly successful band method, Accent on Achievement. Alfred Music is now proud to make these arrangements available in a book format that includes 22 full arrangements in each collection.

The Light Concert Collection includes creative arrangements of folk, rock, jazz, and Latin-American music. Titles: Rockin' la Bamba * Sailors Holiday * River Trilogy * No Drummer Left Behind * African Marching Song * Stand Up and Swing * and 16 others.

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Additional Details
Series: Accent on Performance
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7390-9791-1
ISBN13: 978-0-7390-9791-5
UPC: 038081462417
SKU: 00-41348
Instrumentation: Trumpet 2

More about this title

About the Composer: John O'Reilly

John O'Reilly is a composer and arranger whose work has shaped young band pedagogy for decades. His partnership with Mark Williams on the Accent on Achievement method created a foundation for beginning musicians, and his prolific output of arrangements demonstrates a deep understanding of what works in the rehearsal room and what engages student players.

Why we love this

These arrangements strike the balance every director seeks: they're engaging enough to hold students' attention while remaining accessible for intermediate players. The variety across 22 pieces means you can program something for nearly every concert context without reaching for multiple books.

What to expect

The collection pulls you through an eclectic tour: Latin-American rhythms that make you want to move, folk melodies that feel familiar and comforting, rock grooves that snap with energy, and jazz changes that require attentive listening. As the second trumpet, you're woven into the texture—sometimes in harmony, sometimes doubling the lead, always integral to the sound.

Who it's for

Intermediate trumpet players in concert band settings who are ready to tackle stylistically diverse material beyond classical repertoire. This book works well for students around their second or third year of playing, when they've developed enough technique to handle multiple tonguing patterns and partial muting without getting lost.

How to get the most out of it

  • Lock in the rhythm section early in rehearsal. These arrangements often sit on strong grooves, and getting drums, bass, and supporting winds anchored will tighten everything else quickly.
  • Balance the melody line against the harmony; as Trumpet 2, you're often supporting rather than leading, so listen across the section to sit just underneath the first trumpet.
  • Bring articulation character to the jazz and rock titles. Staccato and legato choices create the personality in these styles, so follow the printed markings closely.

How to use it

Open a concert with a high-energy arrangement like "Rockin' la Bamba" to set the mood, or scatter individual pieces throughout the program to break up longer classical works. These arrangements also work as encores or as palette cleansers between contrasting sections of your concert.

Skills your students will build

  • Reading jazz and Latin rhythmic notation
  • Balancing in a section while supporting the lead trumpet
  • Playing swing articulation and rock groove styles with stylistic accuracy
  • Responding to dynamic and textural changes across multiple genres

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