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3-D Band Book: C Flute (Piccolo) Book

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3-D Band Book: C Flute (Piccolo) Book

A Three-dimensional Approach to a Better Band as Easy as One, Two, Three!

By James D. Ployhar and George B. Zepp

Item: 00-EL02854

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Description
The 3-D Band Book is a three-dimensional approach to rehearsal preparation. This complete tune up/warm up program will reduce rehearsal stress and permit greater accomplishment with less effort. The overall preparedness that this book provides will make every rehearsal a more rewarding and enjoyable experience. The book is divided into three parts: tune up/warm up, key preparation, and rhythm preparation. In addition, there are three pages of harmony and ear training which will provide the basic knowledge necessary for relating to the exercises and chorales found in the book.

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Additional Details
Publisher: Alfred Music
Page Count: 40
ISBN10: 0-7692-2338-9
ISBN13: 978-0-7692-2338-4
UPC: 029156090031
SKU: 00-EL02854
Instrumentation: C Flute (Piccolo)

More about this title

About the Author: James D. Ployhar

James D. Ployhar

James D. Ployhar has published over 800 works for music education and brings decades of practical classroom experience to his pedagogical approach. His credentials include a BS from Valley City State University, an MA from Northern Colorado University, and graduate composition study at California State University-Long Beach under Morris Hutchings Ruger. He studied orchestration with Knud Havalde of the Danish Royal Philharmonic Orchestra and spent more than 19 years teaching in public schools.

Plyohar's Contemporary Band Course, now published by Alfred Music, has been translated into French and Norwegian and is used throughout Scandinavian music programs. His clinical work spans the United States, Canada, Norway, Germany, and England, and his compositions have aired on network television and been performed internationally in Europe, Japan, and the Pacific Rim. He is a recipient of the National Band Association Citation of Excellence and the Distinguished Alumnus Award from his alma mater, and he serves as a member of the American Bandmasters Association.

Why we love this

This book cuts through the noise of rehearsal preparation by organizing every fundamental into a coherent sequence: tune up, key work, and rhythm fundamentals before you ever touch a piece of music. The structure means your flute section arrives ready to work on actual repertoire instead of spinning wheels on basic intonation and pitch matching. A director can trust that 40 pages of systematic, purposeful work will pay off in faster sectional progress and fewer rehearsal frustrations.

What to expect

The approach feels methodical and grounded, designed to build competence one layer at a time rather than leaving anything to chance. You work through material knowing each section addresses a specific need: locked-in pitch, command of different key signatures, and secure rhythmic foundation.

Who it's for

Flute and piccolo players in concert band settings who need systematic, focused preparation before rehearsing full arrangements. This book serves ensemble members at the beginning or intermediate level, offering the structured groundwork that allows musicians to join sectional work with greater confidence and readiness.

How to get the most out of it

  • Anchor your intonation to the harmonic and ear training pages before advancing through the exercises. These three pages establish the listening foundation that makes the rest of the book click together.
  • Work through the tune-up section daily as a consistent opener, even in short 5-10 minute sessions. Regularity matters more than marathon runs through the entire book.
  • Treat the key preparation pages as targeted skill builders rather than repertoire. Isolate problem keys and revisit them until the fingering patterns become automatic.
  • Layer rhythm preparation with your existing warmups rather than treating it as separate work. This reinforces meter and timing in the context of actual playing.

How to use it

Assign this as a daily warmup resource throughout the year, rotating through sections based on the keys and rhythms present in your current concert repertoire. The modular design means you can pull key preparation pages when your band encounters an unfamiliar key signature in a new piece, or rhythm pages when a tricky meter appears in your library.

Skills your students will build

  • Long tone control and intonation stability across the range
  • Major and minor scale fluency in multiple keys
  • Interval ear training and harmonic listening
  • Mixed meter reading (2/4, 3/4, 4/4, 6/8) in isolation
  • Rhythmic precision with syncopation and subdivision
  • Harmonic awareness through ear training exercises

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