By Miriam Chase / By Orlando di Lasso / Arranged by Doug Andrews
Item: 35-DS00147704
Digital Download
$2.99
Minimum order quantity: 10 copies
Please note: Under U.S. copyright law, you must purchase the exact number of copies needed for your ensemble. Printing, duplicating or sharing additional copies is strictly prohibited.
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Description
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Chase's setting captures the tenderness of the text while respecting the Renaissance roots of the material, creating a piece that feels both historical and immediate. The four-part writing sits comfortably in ensemble voices without requiring soloists, making it accessible for festival and concert programming alike.
What to expect
Intimate and introspective, with the warmth of voices blending in close harmony. The piece invites listeners into a personal moment of devotion without artifice or dramatic excess.
Who it's for
This octavo works for choirs seeking a cappella repertoire that bridges Renaissance sensibility with contemporary ensemble needs. It's ideal for groups comfortable with secular madrigal traditions and ready for concert or festival settings.
How to get the most out of it
Balance the soprano line with the inner voices; this arrangement asks the middle voices to carry important harmonic color, not just support.
Shape phrases through vowel consistency rather than dramatic dynamics. The a cappella texture means every voice shift registers clearly.
Let the text breathe. The madrigal tradition thrives on clear diction and rhythmic clarity, which will make the emotional arc land with the audience.
How to use it
Pair this with other madrigals or a cappella works to build a thematic concert around love poetry and Renaissance texts. At eight pages, it anchors a set program without dominating rehearsal time.
Skills your students will build
Renaissance harmonic language and voice leading
Maintaining pitch and blend in a cappella singing
Text interpretation in the madrigal tradition
Four-part independence without instrumental support
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