2-Part/Unison Choral Sheet Music
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America, the Spirit Lives On!: 2-Part Choral Octavo -
Have Yourself a Merry Little Christmas: 2-Part Choral Octavo 
Have Yourself a Merry Little Christmas: 2-Part Choral Octavo
Have Yourself a Merry Little Christmas: 2-Part Choral Octavo
Words and music by Hugh Martin and Ralph Blane / arr. Pete Schmutte
Digital Download$2.25Sale price $2.25 Regular price -
Three Aesop Fables: 2-Part Choral Octavo -
Three Aesop Fables: 2-Part Choral Octavo -
Counting Down to Christmas: 2-Part Choral Octavo -
Counting Down to Christmas (from A Christmas Story: The Musical): 2-Part Choral Octavo -
Chapua Kali Desemba: 2-Part Choral Octavo -
The Square Root of Possible: 2-Part Choral Octavo -
Mysterious Moon: 2-Part Choral Octavo -
Born to Be Somebody (from Never Say Never): 2-Part / SSA Choral Octavo -
The Square Root of Possible: 2-Part Choral Octavo -
The Square Root of Possible: 2-Part Choral Octavo -
Mysterious Moon: 2-Part Choral Octavo -
Born to Be Somebody (from Never Say Never): 2-Part / SSA Choral Octavo -
Chapua Kali Desemba (Chasing the Wild Winds of December - Swahili): 2-Part Choral Octavo -
'Cross the Wide Missouri: 2-Part Choral Octavo -
The Skies Can't Keep Their Secret: 2-Part Choral Octavo -
The Skies Can't Keep Their Secret: 2-Part Choral Octavo -
'Cross the Wide Missouri: 2-Part Choral Octavo -
Who Has Seen the Wind?: 2-Part Choral Octavo -
Shake, Rattle and Roll: 2-Part Choral Octavo -
Celebrate Kwanzaa: 2-Part/SSA Choral Octavo -
Come Hear the Band!: 2-Part Choral Octavo -
Shake, Rattle and Roll: 2-Part Choral Octavo
About This Collection
Description
With over 2,200 titles in this collection, you'll find accessible 2-part and unison arrangements suited to developing choirs and singers building confidence. Andy Beck's Carry the Light and Northern Lights are among the most widely adopted titles here, alongside Robert T. Gibson's Dance!, a cappella standby. The catalog spans secular, pop, folk, and multicultural repertoire, with strong seasonal options for Christmas and other celebrations. Most selections include recorded accompaniments, and many offer staging or movement suggestions for classroom performance.
Highlights
Teachers consistently choose Andy Beck's Carry the Light and Northern Lights for their musical substance and accessibility at the 2-part level. Robert T. Gibson's Dance! rounds out the reliable core, offering a cappella flexibility that works across skill levels. All three are available in both traditional octavo and digital formats.
Recently added
The collection added Hugh Martin's Have Yourself a Merry Little Christmas, Kenneth Gamble's Love Train, Matthew Gerard's We're All in This Together (a cappella), Paul Williams' Rainbow Connection, and Phil Collins' Strangers Like Me within the past year. These mix holiday and contemporary pop repertoire for immediate classroom use.
Composer & Author Spotlight
Andy Beck directs choral publications at Alfred Music and has over 450 popular choral works in print, including method books like Sing at First Sight and Vocalize! His arrangements dominate this collection and are performed by singers worldwide, making his work a reliable choice for teachers seeking music that engages students at multiple levels.
Jay Althouse holds degrees in music education from Indiana University of Pennsylvania and brings eight years of publishing experience to his catalog of over 800 choral works. His arrangements are widely adopted in schools, and his background in music administration shapes his understanding of what teachers actually need in a score.
Sally K. Albrecht is known especially for her integration of movement and staging into choral music, having conducted honor choirs at Lincoln Center, Carnegie Hall, and Kennedy Center. An annual ASCAP award recipient since 1987, she has over 600 choral publications in print and brings three decades of experience directing school choral programs.
Greg Gilpin is an ASCAP award-winning composer and conductor who has led performances at Carnegie Hall, Lincoln Center, and Ryman Auditorium. His international conducting credits include the Sydney Opera House and Royal Festival Hall in London, positioning him as one of the field's most respected voices in choral arrangement.