2-Part/Unison Choral Sheet Music

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Delivery Method
Ensemble Type
Instrument
Genre
Choir Voicing
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Difficulty Level
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Holiday
Season
Occasion
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  • I Am Australian: 2-Part Choral Octavo

    I Am Australian: 2-Part Choral Octavo

    I Am Australian: 2-Part Choral Octavo

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  • I Am Dance: Unison Choral Octavo

    I Am Dance: Unison Choral Octavo

    I Am Dance: Unison Choral Octavo

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  • Sea Change: 2-Part Choral Octavo

    Sea Change: 2-Part Choral Octavo

    Sea Change: 2-Part Choral Octavo

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  • Paint the Ocean: Unison Choral Octavo

    Paint the Ocean: Unison Choral Octavo

    Paint the Ocean: Unison Choral Octavo

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  • The Boy from Oz: 2-Part Choral Octavo

    The Boy from Oz: 2-Part Choral Octavo

    The Boy from Oz: 2-Part Choral Octavo

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  • I Still Call Australia Home: 2-Part Choral Octavo

    I Still Call Australia Home: 2-Part Choral Octavo

    I Still Call Australia Home: 2-Part Choral Octavo

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  • Time of Your Life: 2-Part Choral Octavo

    Time of Your Life: 2-Part Choral Octavo

    Time of Your Life: 2-Part Choral Octavo

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  • Human Nature Medley: 2-Part Choral Octavo

    Human Nature Medley: 2-Part Choral Octavo

    Human Nature Medley: 2-Part Choral Octavo

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  • Hot Air Balloon: 2-Part Choral Octavo

    Hot Air Balloon: 2-Part Choral Octavo

    Hot Air Balloon: 2-Part Choral Octavo

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  • Goodbye Captain: 2-Part Choral Octavo

    Goodbye Captain: 2-Part Choral Octavo

    Goodbye Captain: 2-Part Choral Octavo

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  • Animal Song: 2-Part Choral Octavo

    Animal Song: 2-Part Choral Octavo

    Animal Song: 2-Part Choral Octavo

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  • High Tide: 2-Part Choral Octavo

    High Tide: 2-Part Choral Octavo

    High Tide: 2-Part Choral Octavo

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  • From Today: 2-Part Choral Octavo

    From Today: 2-Part Choral Octavo

    From Today: 2-Part Choral Octavo

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  • You're the Voice: 2-Part Choral Octavo

    You're the Voice: 2-Part Choral Octavo

    You're the Voice: 2-Part Choral Octavo

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  • This Is What Counts: Choir, SA, Choral Octavo

    This Is What Counts: Choir, SA, Choral Octavo

    This Is What Counts: Choir, SA, Choral Octavo

    By Vaclav Nelhybel/ Text by D. Dinand

    Grade: 3

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    $1.99
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  • Watah Come a Me Eye: 2-Part Choral Octavo

    Watah Come a Me Eye: 2-Part Choral Octavo

    Watah Come a Me Eye: 2-Part Choral Octavo

    Arr. Mary Val Marsh

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    $2.25
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About This Collection

Description

With over 2,200 titles in this collection, you'll find accessible 2-part and unison arrangements suited to developing choirs and singers building confidence. Andy Beck's Carry the Light and Northern Lights are among the most widely adopted titles here, alongside Robert T. Gibson's Dance!, a cappella standby. The catalog spans secular, pop, folk, and multicultural repertoire, with strong seasonal options for Christmas and other celebrations. Most selections include recorded accompaniments, and many offer staging or movement suggestions for classroom performance.

Highlights

Teachers consistently choose Andy Beck's Carry the Light and Northern Lights for their musical substance and accessibility at the 2-part level. Robert T. Gibson's Dance! rounds out the reliable core, offering a cappella flexibility that works across skill levels. All three are available in both traditional octavo and digital formats.

Recently added

The collection added Hugh Martin's Have Yourself a Merry Little Christmas, Kenneth Gamble's Love Train, Matthew Gerard's We're All in This Together (a cappella), Paul Williams' Rainbow Connection, and Phil Collins' Strangers Like Me within the past year. These mix holiday and contemporary pop repertoire for immediate classroom use.

Composer & Author Spotlight

Andy Beck directs choral publications at Alfred Music and has over 450 popular choral works in print, including method books like Sing at First Sight and Vocalize! His arrangements dominate this collection and are performed by singers worldwide, making his work a reliable choice for teachers seeking music that engages students at multiple levels.

Jay Althouse holds degrees in music education from Indiana University of Pennsylvania and brings eight years of publishing experience to his catalog of over 800 choral works. His arrangements are widely adopted in schools, and his background in music administration shapes his understanding of what teachers actually need in a score.

Sally K. Albrecht is known especially for her integration of movement and staging into choral music, having conducted honor choirs at Lincoln Center, Carnegie Hall, and Kennedy Center. An annual ASCAP award recipient since 1987, she has over 600 choral publications in print and brings three decades of experience directing school choral programs.

Greg Gilpin is an ASCAP award-winning composer and conductor who has led performances at Carnegie Hall, Lincoln Center, and Ryman Auditorium. His international conducting credits include the Sydney Opera House and Royal Festival Hall in London, positioning him as one of the field's most respected voices in choral arrangement.