The Square Root of Possible Cover Image

The Square Root of Possible: 2-Part Choral Octavo

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The Square Root of Possible Cover Image

The Square Root of Possible: 2-Part Choral Octavo

from Jingle Jangle

Words and music by Philip Lawrence, Davy Nathan, and Michael Diskint / arr. Alan Billingsley

Item: 00-49749

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Description
"The square root of impossible is possible in me." Here's an empowering musical theater-style anthem with an up-to-date sound. This captivating song from the Netflix Christmas musical fantasy Jingle Jangle captures a joyfully adventurous spirit with lyrics that are not holiday-specific, so you can program it year-round! Three well-conceived choral voicings invite all types of groups to program this uplifting powerhouse as their big entrance, grand finale, or spotlight feature. Perform with piano alone, the sparkling SoundTrax audio, or the fully rendered SoundPax orchestration. This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, The Square Root of Possible: 2-Part Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 16
UPC: 038081568362
SKU: 00-49749

More about this title

About the Composer: Philip Lawrence

Philip Lawrence is a composer, songwriter, and producer who has written music across film, television, and theater. He co-created the music for the Netflix musical film Jingle Jangle (2020), bringing contemporary songwriting sensibility to a holiday fantasy narrative. His work balances accessibility with genuine artistic ambition, crafting songs that appeal to both performers and audiences.

Lawrence's compositions for young performers demonstrate his understanding of what makes choral music engaging and singable. He writes with attention to vocal range, emotional clarity, and the specific energy that theater music demands. His contributions to Jingle Jangle established him as a composer who understands how to craft moments of real empowerment within entertainment contexts.

Why we love this

This song arrives with the momentum of contemporary musical theater while remaining genuinely singable for a wide range of 2-part choir ability levels. Alan Billingsley's arrangement captures the soaring, confident energy of the original without sacrificing clarity or balance. Programmers get a feel-good powerhouse that works as an opener, closer, or feature number and feels current rather than generic.

What to expect

Bright, purposeful, and forward-moving. The song radiates the kind of optimism that comes from recognizing your own potential. There's a theatrical confidence in the melody and harmony, paired with accessibility that lets singers inhabit the message rather than struggle with the notes.

Who it's for

This works beautifully for middle school and high school choirs seeking contemporary material with substance. Mixed choirs can also perform the piece (alto and soprano parts accommodate a range of voice types), making it flexible across ensemble configurations. Any director looking for a 2-part song that feels genuinely current and motivating will find a strong fit here.

How to get the most out of it

  • Embrace the theatrical tone from the start. This piece lives in an honest, earnest emotional space—resist the urge to oversell it or wink at the audience. Commit to the empowerment message.
  • Balance the two voices so that both parts feel equally present and important. The arrangement is designed to support genuine part independence, so make sure your singers know they're not doubling a melody.
  • Lean into the rhythmic precision and contemporary groove. This isn't a classical hymn; the accuracy of rhythm and articulation gives the piece its modern edge.
  • If using the SoundPax orchestration, let it sit underneath your choir without overwhelming them. The recording should lift the singers up, not cover them.

How to use it

This is your statement opener or closing moment. The lyrics are not holiday-specific, so it serves concert repertoire year-round; program it in spring or fall concerts where its message of possibility feels equally powerful. It also works as a festival selection or as the centerpiece of a contemporary choral concert that showcases your ensemble's ability to perform modern theater music with conviction.

Skills your students will build

  • Singing contemporary songwriting style with clear diction and rhythmic precision
  • Balancing two independent choral lines while maintaining harmonic blend
  • Performing with theatrical conviction and emotional authenticity
  • Following a recorded accompaniment while maintaining ensemble integrity

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