2-Part/Unison Choral Sheet Music
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Rock Island Line: 2-Part Choral Octavo -
Thunder!: 2-Part Choral Octavo -
Thunder!: 2-Part Choral Octavo -
Christmas Canon: 2-Part Choral Octavo -
Christmas Canon: 2-Part Choral Octavo -
The Wind: 2-Part Choral Octavo -
The Wind: 2-Part Choral Octavo -
The Chipmunk Song (Christmas Don't Be Late): Unison / Opt. 2-Part Choral Octavo -
Sleigh Ride: Unison / Opt. 2-Part Choral Octavo -
Dansi Na Kuimba: 2-Part Choral Octavo -
Sleigh Ride: Unison / Opt. 2-Part Choral Octavo 
Sleigh Ride: Unison / Opt. 2-Part Choral Octavo
Sleigh Ride: Unison / Opt. 2-Part Choral Octavo
Arr. Jeff Funk
Digital Download$2.00Sale price $2.00 Regular price -
Dansi Na Kuimba (Dance and Sing-Swahili): 2-Part Choral Octavo -
The Chipmunk Song (Christmas Don't Be Late): Unison / Opt. 2-Part Choral Octavo 
The Chipmunk Song (Christmas Don't Be Late): Unison / Opt. 2-Part Choral Octavo
The Chipmunk Song (Christmas Don't Be Late): Unison / Opt. 2-Part Choral Octavo
Arr. Jeff Funk
Level: Easy
Digital Download$2.25Sale price $2.25 Regular price -
Christmastime Again: 2-Part Choral Octavo -
Christmastime Again: 2-Part Choral Octavo -
I Ku Mau Mau: 2-Part Choral Octavo -
I Ku Mau Mau: 2-Part Choral Octavo -
A Patriotic Festival: 2-Part Choral Octavo -
A Patriotic Festival: 2-Part Choral Octavo -
Peaceful River: 2-Part Choral Octavo -
Peaceful River: 2-Part Choral Octavo -
The Puzzle: 2-Part Choral Octavo -
The Puzzle: 2-Part Choral Octavo -
The Biggest Brightest Holiday Lights!: 2-Part Choral Octavo
About This Collection
Description
With over 2,200 titles in this collection, you'll find accessible 2-part and unison arrangements suited to developing choirs and singers building confidence. Andy Beck's Carry the Light and Northern Lights are among the most widely adopted titles here, alongside Robert T. Gibson's Dance!, a cappella standby. The catalog spans secular, pop, folk, and multicultural repertoire, with strong seasonal options for Christmas and other celebrations. Most selections include recorded accompaniments, and many offer staging or movement suggestions for classroom performance.
Highlights
Teachers consistently choose Andy Beck's Carry the Light and Northern Lights for their musical substance and accessibility at the 2-part level. Robert T. Gibson's Dance! rounds out the reliable core, offering a cappella flexibility that works across skill levels. All three are available in both traditional octavo and digital formats.
Recently added
The collection added Hugh Martin's Have Yourself a Merry Little Christmas, Kenneth Gamble's Love Train, Matthew Gerard's We're All in This Together (a cappella), Paul Williams' Rainbow Connection, and Phil Collins' Strangers Like Me within the past year. These mix holiday and contemporary pop repertoire for immediate classroom use.
Composer & Author Spotlight
Andy Beck directs choral publications at Alfred Music and has over 450 popular choral works in print, including method books like Sing at First Sight and Vocalize! His arrangements dominate this collection and are performed by singers worldwide, making his work a reliable choice for teachers seeking music that engages students at multiple levels.
Jay Althouse holds degrees in music education from Indiana University of Pennsylvania and brings eight years of publishing experience to his catalog of over 800 choral works. His arrangements are widely adopted in schools, and his background in music administration shapes his understanding of what teachers actually need in a score.
Sally K. Albrecht is known especially for her integration of movement and staging into choral music, having conducted honor choirs at Lincoln Center, Carnegie Hall, and Kennedy Center. An annual ASCAP award recipient since 1987, she has over 600 choral publications in print and brings three decades of experience directing school choral programs.
Greg Gilpin is an ASCAP award-winning composer and conductor who has led performances at Carnegie Hall, Lincoln Center, and Ryman Auditorium. His international conducting credits include the Sydney Opera House and Royal Festival Hall in London, positioning him as one of the field's most respected voices in choral arrangement.