Zazz: SAB Choral Octavo

Zazz arrives fully formed as a showstopper with genuine comedic payoff, not just sass. The writing by Sklar and Beguelin proves that Broadway humor can work beautifully in the choral setting when the arrangement (by Andy Beck) preserves the song's theatrical timing and comedic pacing.

Zazz crackles with stage energy and comedic mischief. You feel the showbiz wink in every phrase; the music practically demands a smile from both singers and audience, channeling that irresistible blend of Broadway polish and genuine fun that defines Elf.

Choirs looking for a contemporary showstopper that lands with both humor and musical substance. The SAB voicing makes it accessible to groups with developing singers while the Broadway pedigree appeals to ensembles seeking repertoire that feels relevant and fun.

• Nail the comedic timing of the lyrics, especially lines like 'if your hands are shaking, just turn 'em into jazz hands.' These laughs live or die based on rhythmic precision and clear diction.
• Lean into the showbiz energy without letting it overshadow the vocal parts. The arrangement should sparkle, but your singers need room to be heard.
• Use the recorded accompaniment to lock in the groove and help singers hear how the parts sit in the full orchestration.
• Stage this with intentional choreography or gestures that honor the Bob Fosse reference. Even simple, sharp hand movements will amplify the 'razzle dazzle.'

This works beautifully as an upbeat closer on a concert or as the centerpiece of a comedic set alongside other contemporary choral work. Its theatrical flavor and laugh-out-loud moments make it especially valuable for pops concerts, end-of-year celebrations, or any program where you want to leave the audience grinning.

• Clear diction and comedic timing in choral setting
• Balancing ensemble blend with character and personality
• Interpreting Broadway-style vocal phrasing in SAB voicing
• Coordination of music with staged movement and choreography