(Your Love Keeps Lifting Me) Higher and Higher: SATB Choral Octavo
Words and music by Gary Jackson, Carl Smith, and Raynard Miner / arr. Jay Althouse
Item: 00-PO-0000993
Minimum order quantity: 20 copies
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Description
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More about this title
Why we love this
The arrangement captures everything that made the original a standard while giving your choir real work to do. Jay Althouse's voicing sits perfectly in accessible ranges, and the structural arc from laid-back opening to full-throttle finish keeps singers and audiences engaged without ever feeling manipulative.
What to expect
A summer night drive with the windows down. The song opens with cool restraint, almost sultry, then gradually builds into something irresistible. By the end, your choir will feel the lift in the title, and your audience will feel it too.
Who it's for
Intermediate to advanced SATB choirs looking for a pop standard that has genuine staying power. Works equally well for concert choirs, church music programs, and show choirs who want something fun that still respects the singers' musicianship.
How to get the most out of it
- Establish the groove during the slow section with light, easy phrasing; think of it as the setup for the energy that follows rather than a separate moment.
- Balance the parts carefully when the arrangement builds; the soloists need room to breathe, but the harmonic foundation from the rest of the choir keeps the pocket locked.
- Use the recorded accompaniment in rehearsal to build confidence with the groove, then experiment with backing off the tempo slightly if your choir tends to rush during the acceleration.
How to use it
Perfect for the second half of a spring concert where you need to shift from classical or spiritual material into something that signals joy and release. It also serves as an excellent palate-cleanser between heavier pieces, and audiences consistently respond to its infectious optimism.
Skills your students will build
- Maintaining subdivision and pocket in pop/funk grooves
- Managing dynamic contrast across an entire arrangement
- Blending solo passages with choral sections
- Stylistic flexibility when moving from ballad to uptempo singing