Yamaha Band Student, Book 2 Cover Image

Yamaha Band Student, Book 2: B-flat Tenor Saxophone Book

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Yamaha Band Student, Book 2 Cover Image

Yamaha Band Student, Book 2: B-flat Tenor Saxophone Book

A Band Method for Group or Individual Instruction

By Sandy Feldstein and John O'Reilly

Level: Beginning

Item: 00-3929

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Description
Yamaha Band Student will appeal to teachers looking for a well-paced lesson sequence that keeps students motivated to continue past the first critical year. It is affordably priced, attractively presented and meets the needs of today's students and educators. Each level includes numerous songs, duets, trios and four full-band arrangements right in the method itself---perfect for first-year concerts.

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Additional Details
Series: Yamaha Band Method
Publisher: Alfred Music
Page Count: 32
ISBN10: 0-88284-425-3
ISBN13: 978-0-88284-425-1
UPC: 038081011776
SKU: 00-3929
Instrumentation: B-flat Tenor Saxophone

More about this title

About the Author: Sandy Feldstein

Sandy Feldstein has shaped instrumental music education for decades as a composer, arranger, and method book author. His work with John O'Reilly on the Yamaha Band Student series reflects a deep understanding of how beginning musicians learn, balancing pedagogical progression with the musical satisfaction that keeps students engaged.

Why we love this

This book delivers genuine musicality without sacrificing clarity. The inclusion of duets, trios, and full-band arrangements within the method itself means you're not hunting for supplementary material; your students play real ensemble music from day one, which builds confidence and retention far more effectively than isolated exercises.

What to expect

The tenor sax lines sit comfortably in a range where young players can make a warm, satisfying sound without strain. Melodies are singable and rhythms feel natural, creating the rewarding experience of sounding like a real band member rather than a student working through exercises.

Who it's for

Beginning tenor saxophone players in their second year of study, whether in a concert band, full band program, or small ensemble setting. This book suits teachers who want a structured progression that keeps pace with students' growing technical ability while maintaining their motivation through varied, playable repertoire.

How to get the most out of it

  • Balance the open G voicing on the staff with careful breath support; young tenor players often let the sound spread at higher volumes.
  • Use the duet and trio sections to establish listening habits. Assign parts strategically so students learn to track their line within texture.
  • Lock in with the band arrangements by having saxophones mark their entrances clearly and anchor rhythmic patterns with the rest of the woodwind section.
  • Record yourself or your section playing through the band pieces weekly; playback reveals intonation issues and rhythmic drift that are easy to miss in real time.

How to use it

Use this as your primary sequential method through the second year, working through the lesson sequence at the pace your students can sustain. The embedded band arrangements fit directly into your first and second year concerts without requiring additional score compilation.

Skills your students will build

  • Reading in treble clef with ledger lines above and below the staff
  • Tonguing and slurring coordination in varied rhythmic contexts
  • Sustaining tones with consistent air pressure and intonation
  • Listening and balancing within duet, trio, and ensemble textures
  • Rhythmic accuracy with quarter notes, eighth notes, and rests in 2/4, 3/4, and 4/4 time
  • Sight-reading short melodic phrases with repeating patterns

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