White Fields in Winter Cover Image

White Fields in Winter: PartTrax Digital Audio Download

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White Fields in Winter Cover Image

White Fields in Winter: PartTrax Digital Audio Download

Words by James Stephens, music by Ruth Morris Gray

Item: 00-AA-0000432

$49.99
Digital Download
Description

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Sample Audio
1 White Fields in Winter SSA (Alto Dominant) --:--
2 White Fields in Winter SSA (Soprano I Dominant) --:--
3 White Fields in Winter SSA (Soprano II Dominant) --:--

White Fields in Winter SSA (Alto Dominant)

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Sample Video
Additional Details
Series: Alfred Choral - PerformancePlus+
Publisher: Alfred Music
SKU: 00-AA-0000432

More about this title

About the Composer: Ruth Morris Gray

Ruth Morris Gray

Ruth Morris Gray brings twenty years of classroom experience to her compositional work. Since 2004, she has served as Director of Choirs at Rosemead High School in Rosemead, California, where she has also taught piano. Gray earned her Bachelor of Music degree in Piano Performance and Composition from Biola University and completed a Master of Arts in Music Composition from the University of California, Santa Barbara. She holds a California Single Subject Music Credential from California State University, Northridge.

With over 100 published choral compositions to her name, Gray writes from deep knowledge of what works in ensemble rehearsal and performance. Her work as both educator and composer means she understands the specific demands placed on singers across different levels and voicing configurations. Beyond music, she is an active performer and passionate traveler who shares her love of movement, reading, and outdoor pursuits with her husband, Douglas.

Why we love this

Gray's setting captures winter imagery with musical sophistication that never overwhelms the text. The dual voicing option (SSA/SSAA) gives you real flexibility in how you voice the piece depending on your ensemble's strengths in any given year. Choirs consistently report that this piece is rewarding to learn and genuinely moves audiences, which makes it a reliable choice for both concert and contest settings.

What to expect

This piece evokes a quiet, contemplative winter landscape through clear harmonic writing and lyrical vocal lines. The musical language feels both modern and grounded, with moments of harmonic depth that give singers something meaningful to balance and shape.

Who it's for

SSA and SSA/SSAA choirs at the high school level and beyond will find this piece accessible yet musically substantial. Singers with some reading experience will engage with the harmonic language, while directors appreciate repertoire that programs well for both festival and concert contexts.

How to get the most out of it

  • Balance the line with the recorded accompaniment by having singers listen to a full run-through before rehearsing against it; this prevents them from locking into a tempo that doesn't serve the text.
  • Shape the phrase structure around natural language rhythms rather than strict metric regularity; let the poetry breathe without over-conducting.
  • Pay attention to how the voicing opens and closes the piece, Gray likely uses those moments architecturally, so consider what emotional weight you're building toward.

How to use it

Program this piece in a winter concert or season finale where it can sit alongside other seasonal work, or use it as your festival entry when the contest calls for secular choral repertoire. Its poetic text and concert appeal also make it an excellent choice for a spring festival program seeking literary depth.

Skills your students will build

  • Reading and balancing close harmonic intervals
  • Connecting lyrical phrasing to textual meaning
  • Sustaining tone quality across sustained passages
  • Blending SSA or SSAA voicing configurations

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