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Whisper! Whisper! (Baby Born Today): TTBB, <I>a cappella</I> Choral Octavo

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Whisper! Whisper! (Baby Born Today) Cover Image

Whisper! Whisper! (Baby Born Today): TTBB, a cappella Choral Octavo

Words and music by Jay Althouse

Item: 00-11629

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Description
Another memorable Christmas spiritual from Jay Althouse. Strong dynamic contrasts (from "Whisper, whisper, tiny baby in a manger lay" to "Shout it out from the hills and valleys; baby born today") make this a winner for your choir. A lush middle section contrasts with the rhythmic excitement of the opening theme. Brief, easy solos for both a male and female singer. A cappella.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Whisper! Whisper! (Baby Born Today): TTBB, a cappella Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Archive Edition: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 8
UPC: 038081118673
SKU: 00-11629

More about this title

About the Composer: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was later honored as a Distinguished Alumnus. Early in his career, he spent eight years managing rights and licensing for a major educational music publisher and served on the Executive Board of the Music Publishers Association of America. As a composer, he has built an extensive catalog of more than 800 choral works performed regularly across the English-speaking world.

Althouse is an ASCAP writer member and a consistent recipient of the ASCAP Special Award for his compositions. Beyond choral writing, he has co-authored children's musicals with Sally K. Albrecht, compiled vocal solo collections including Folk Songs for Solo Singers, and written widely used classroom resources such as The Complete Choral Warm-up Book, Accent on Composers, and Ready to Read Music. His choral work I Hear America Singing, co-written with Albrecht, was performed by the San Francisco Girls and Boys Choirs at President Barack Obama's inauguration in 2009. He served on the board of the North Carolina Master Chorale and currently advises the Folk Art Society of America.

Why we love this

Althouse understands the theatrical power of contrast, and this piece deploys it brilliantly. The shift from intimate whispered verses to jubilant shouts creates genuine emotional arc without requiring complex harmony or extended ranges, making it both accessible and genuinely moving for singers and audiences alike. The brief solos for male and female singers feel natural to the narrative rather than tacked on, and the a cappella setting lets the warmth of lower voices carry the spiritual's weight.

What to expect

The piece moves between intimate reverence and joyful proclamation. You'll inhabit quiet vulnerability in the opening whispers, find warmth and depth in the lush middle section, and release into rhythmic exuberance as the text shifts to celebration. The a cappella texture lets every voice blend and each moment of contrast feel unfiltered and direct.

Who it's for

TTBB choirs seeking a Christmas piece with dramatic range and spiritual authenticity. This works equally well for festival-bound groups looking for a crowd-pleaser and established choirs wanting to program something with both accessibility and genuine musical substance.

How to get the most out of it

  • Shape the opening whispered sections with real breath control and legit soft singing; this passage sets the devotional tone that makes the final outburst land harder.
  • Don't let the middle section lose its lyrical quality in pursuit of "lush." Balance blend with enough individual voice production so the soloists emerge cleanly.
  • Build dynamic momentum gradually toward "Shout it out." The contrast works only if the whisper is genuinely quiet and the shout feels earned.
  • Lock in rhythmic precision during the opening theme before tackling dynamics; clean attacks and releases will make the sectional interactions sparkle.

How to use it

Program this as a centerpiece of a Christmas concert, where its emotional arc gives weight to a holiday set without requiring extended rehearsal time. It pairs well alongside longer seasonal works, offering a moment of spiritual intimacy that contrasts with either orchestral grandeur or contemporary arrangements elsewhere in your program.

Skills your students will build

  • Dynamic control from soft (pp) to fortissimo without strain
  • Blending lower voices while maintaining individual voice production
  • A cappella intonation and balance across extended passages
  • Narrative interpretation of text through musical contrast
  • Solo singing within choral context

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