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Whisper! Whisper! (Baby Born Today): 3-Part Mixed, <I>a cappella</I> Choral Octavo

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Whisper! Whisper! (Baby Born Today) Cover Image

Whisper! Whisper! (Baby Born Today): 3-Part Mixed, a cappella Choral Octavo

Words and music by Jay Althouse

Item: 00-5839

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Another memorable Christmas spiritual from Jay Althouse. Strong dynamic contrasts (from "Whisper, whisper, tiny baby in a manger lay" to "Shout it out from the hills and valleys; baby born today") make this a winner for your choir. A lush middle section contrasts with the rhythmic excitement of the opening theme. Brief, easy solos for both a male and female singer. A cappella.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Whisper! Whisper! (Baby Born Today): 3-Part Mixed, a cappella Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Archive Edition: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 8
UPC: 038081017006
SKU: 00-5839

More about this title

About the Composer: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he later received the Distinguished Alumni award. His career spans both administration and composition; he spent eight years managing rights and licenses for a major educational publisher and served on the Executive Board of the Music Publishers Association of America. He is a prolific composer with over 800 choral works in print, performed regularly across English-speaking countries, and holds membership in ASCAP with multiple Special Awards for his compositions.

Beyond composition, Althouse has shaped music education through numerous publications. He co-authored The Complete Choral Warm-up Book and Accent on Composers, compiled celebrated vocal solo collections including Folk Songs for Solo Singers, and created classroom resources like Ready to Read Music and Sixty Music Quizzes. His collaborative work with wife Sally K. Albrecht includes children's musicals and I Hear America Singing, performed by the San Francisco Girls and Boys Choirs at President Obama's 2009 inauguration. Based in Wake Forest, North Carolina, he serves on the National Advisory Board of the Folk Art Society of America.

Why we love this

The architecture of this piece gives your choir real dramatic work to do. Moving from intimate whispers to full-voiced celebration, singers experience the full emotional spectrum of the nativity story without sacrificing accessibility. The brief solos for both male and female voices also create natural performance opportunities that build confidence in singers stepping into the spotlight.

What to expect

Reverent and tender in its opening measures, gradually building into joyful proclamation. The shift from quiet prayer to exuberant announcement creates a visceral arc, making this feel less like a traditional carol and more like witnessing the nativity unfold in real time.

Who it's for

Choirs at the intermediate level with mixed voices and singers who can handle both vulnerability and energy. The brief solos make it ideal for ensembles developing confident solo performers, and the a cappella format works well for groups seeking repertoire that doesn't rely on accompaniment resources.

How to get the most out of it

  • Shape the opening carefully: those whispers need genuine restraint and focus. Use the dynamic shift as your turning point, not a surprise.
  • Let the lush middle section breathe. This is where the arrangement opens up, so encourage your singers to feel the harmonic richness rather than rushing through it.
  • The soloists benefit from rehearsal time with the full ensemble around them. This prevents the transitions in and out of solos from feeling awkward or undersupported.
  • Clarity of text matters throughout, especially in the rhythmic passages. A cappella singing demands crisp diction to maintain momentum and intention.

How to use it

Program this as a second-half opener or closer when you want to shift the emotional temperature of your concert. It pairs naturally with both traditional carols and contemporary sacred music, and its brevity makes it an excellent choice for holiday programs where you're balancing multiple selections.

Skills your students will build

  • Dynamic contrast and shape at the extremes (pp to ff)
  • Sustaining intonation in a cappella voicing
  • Solo readiness and confidence with brief featured passages
  • Text-driven interpretation and emotional communication
  • Blending in three-part mixed voicing

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