Whisper! Whisper! (Baby Born Today): SATB, a cappella Choral Octavo
Words and music by Jay Althouse
Item: 00-PO-0004483
Minimum order quantity: 20 copies
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About the Composer: Jay Althouse

Jay Althouse studied music education and music at Indiana University of Pennsylvania, where he later received the Distinguished Alumni award. His career in music publishing gave him eight years of experience in rights and licensing, including a term on the Executive Board of the Music Publishers Association of America. As a prolific composer, he has over 800 choral works in print and is a writer member of ASCAP, a regular recipient of the ASCAP Special Award for his compositions.
Beyond composing, Althouse has collaborated with his wife Sally K. Albrecht on several children's musicals and compiled widely used vocal solo collections. He co-authored The Complete Choral Warm-up Book and Accent on Composers, and created reproducible classroom resources including Ready to Read Music and One-Page Composer Bios. His choral work I Hear America Singing, co-written with Albrecht, was performed by the San Francisco Girls and Boys Choirs at President Obama's inauguration in 2009. He has served on the boards of the North Carolina Master Chorale and the Folk Art Society of America.
Why we love this
The dramatic arc of this spiritual moves singers and audiences alike through two distinct musical worlds: a gentle, whispered opening gives way to jubilant proclamation, all in just eight pages. Althouse's gift for writing memorable lines and his instinct for what works in a choral context shine here, particularly in how the brief solo moments feel organic rather than bolted-on. It's the kind of piece that shows your choir's range of expression in a single selection.
What to expect
This spiritual captures the intimacy of witnessing something sacred in its quietest moment, then bursts into celebration. The contrast creates genuine emotional power, and the easy accessibility of Althouse's melody means the choir can focus on storytelling rather than technical survival. A cappella transparency forces careful listening and real connection between sections.
Who it's for
Choirs at intermediate to advanced levels who can manage dynamic range and clear a cappella intonation. This works equally well in high school settings and adult church choirs. Both male and female singers need confidence singing brief solos, though nothing here is technically demanding.
How to get the most out of it
- Shape the dynamic contrasts intentionally in rehearsal. The journey from whispered reverence to shouted joy needs clear sonic territory; undersell the quiet opening and the climax reads as gentle variation rather than transformation.
- Guard against rushing the middle section's lush harmonies. Slower tempos can feel exposed in a cappella settings, so singers often unconsciously accelerate. Mark a steady pulse and let the harmonic richness breathe.
- Balance the solo moments carefully. Both soloists should sound like natural voices emerging from the choir, not concert soloists stepping forward. Blend matters as much as projection.
- Pay close attention to the rhythmic excitement in the opening theme. Precision in cutoffs and note attacks will clarify the infectious energy Althouse built in.
How to use it
Program this in a Christmas concert where you want to shift the mood from festive energy to reverent wonder, then back again. It pairs beautifully with more elaborate or lengthy seasonal works because of its brevity and clear narrative arc. Consider using it early in a concert to establish the choir's range of expression.
Skills your students will build
- Managing sustained dynamic contrasts from soft to loud
- Singing a cappella with secure intonation across all voice parts
- Blending with other sections during lush harmonic writing
- Executing clean, precise rhythmic figures in the opening theme
- Singing confident solo moments while maintaining choral blend