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We Three Kings: Choral SoundPax

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We Three Kings Cover Image

We Three Kings: Choral SoundPax

Arr. Andy Beck

Item: 00-23080

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Description
Includes parts for flute, a. sax., trumpet, trombone, vibes, rhythm, and percussion.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, We Three Kings: Choral SoundPax comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 36
UPC: 038081222622
SKU: 00-23080
Instrumentation: SoundPax

More about this title

About the Arranger: Andy Beck

Andy Beck

Andy Beck oversees choral publications at Alfred Music and has built one of the most performed catalogs in contemporary choral music, with over 450 works in active rotation across school and church choirs. His method books, Sing at First Sight, Foundations in Choral Sight Singing, and Vocalize! 45 Vocal Warm-Ups That Teach Technique, have shaped how thousands of singers develop foundational skills.

Beyond the page, Beck is a fixture on the guest conductor and clinician circuit, regularly leading all-state honor choirs and adjudicating festivals throughout the Southeast and beyond. Holding degrees in Music Education from Ithaca College and Northwest Missouri State University, he brings classroom experience to every arrangement. As a tenor vocalist and musical theatre director, he understands what singers need to deliver a performance that matters.

Why we love this

Beck's arrangement gives you all the festive brass and percussion color of a holiday big band without demanding a full jazz ensemble. The SoundPax format means your singers get an energized accompaniment while individual parts allow flexible instrumentation, teach it with what you have, and the chart still lands with style.

What to expect

Warm and accessible, with a gentle swing beneath the surface. The arrangement honors the carol's devotional roots while bringing forward the joy and gathering quality that makes this tune beloved across generations. It breathes like a conversation between voices and instruments, never overwhelming or precious.

Who it's for

Choirs that want to program a recognizable holiday standard with instrumental sophistication and contemporary arranging voice. Directors building a Christmas set that balances reverence with energy will find this strikes both notes. High school choirs, community groups, and church ensembles with modest to intermediate reading skills all have room to succeed here.

How to get the most out of it

  • Balance the instrumental texture by letting the rhythm section establish pocket before the horns enter; this prevents the arrangement from feeling cluttered in the first verse.
  • Have your vibes player articulate clearly on the off-beats to keep the groove relaxed and conversational rather than rigid.
  • Rehearse the trombone and trumpet parts independently before combining them; they share dialogue that needs precision and space to breathe.
  • Mark the recorded accompaniment cue points in your score so singers lock in to tempo from the first downbeat without ambiguity.

How to use it

Open your Christmas concert with this, it's familiar enough to draw the audience in immediately, but orchestrated with enough personality to show your choir's range and the depth of your instrumental program. Pair it with a cappella sacred music elsewhere in the program to create contrast, or use it as the opener that sets a celebratory tone before more intimate pieces.

Skills your students will build

  • Blend and balance when singing over a full instrumental texture
  • Rhythmic precision in response to a recorded accompaniment
  • Stylistic understanding of contemporary choral arranging in sacred contexts
  • Coordinate with multiple instrumental parts while maintaining vocal independence

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