We Three Kings: SATB Choral Octavo
Arr. Andy Beck
Item: 00-PO-0002218
Minimum order quantity: 20 copies
Pickup currently not available
Related Items
We Three Kings: 2-Part Choral Octavo |
$1.65
|
View | |
We Three Kings: TTBB Choral Octavo |
$2.25
|
View | |
We Three Kings: Choral SoundPax |
$30.00
|
View | |
We Three Kings: SATB Choral Octavo |
$2.25
|
View | |
We Three Kings: 2-Part Choral Octavo |
$1.65
|
View | |
We Three Kings: TTBB Choral Octavo |
$2.25
|
View | |
We Three Kings: Choral Octavo SoundTrax CD |
$22.95
|
View | |
We Three Kings: Choral SoundPax |
$30.00
|
View |
Description
We Three Kings: SATB Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.
Tell us you want it.
Explore everything that's ready to play right now.
Sample Audio
Sample Video
Additional Details
More about this title
About the Arranger: Andy Beck

Andy Beck leads choral publications at Alfred Music and has established himself as one of the most prolific voices in contemporary choral writing, with more than 450 works currently published across multiple genres and age levels. His contributions to choral pedagogy include widely used resources like Sing at First Sight, Foundations in Choral Sight Singing, and Vocalize!, each designed to build both technique and musicianship. Beyond the page, Beck maintains an active schedule as a guest conductor, clinician, and adjudicator for honor choirs and all-state groups throughout the United States, and he brings firsthand performance experience as a tenor and musical theatre director.
Educated at Ithaca College and Northwest Missouri State University with degrees in Music Education, Beck channels his commitment to arts literacy into every publication he curates and creates. His work with the North Carolina Master Chorale Chamber Choir and his long tenure as an Alfred Music studio singer (since 1992) keep him grounded in the realities of rehearsal rooms and performance stages. The breadth of his output, consistently performed by choirs worldwide, reflects a deep understanding of what singers need to grow and what audiences want to hear.
Why we love this
Beck's arrangement transforms a beloved carol into something that feels genuinely fresh without abandoning its identity. The jazz waltz framework, contemporary harmonic language, and driving rhythmic energy give singers a piece that challenges them musically while remaining accessible, and the optional live jazz ensemble adds a genuine wow factor to your holiday concert without demanding extensive instrumental resources.
What to expect
The piece opens with theatrical weight and drama, then pivots into a sleek, swinging jazz waltz that feels both elegant and energized. The fresh melody and chromatic counterlines give it personality beyond the familiar carol, while the school-appropriate lyrics keep the piece grounded in its traditional context even as the music moves forward.
Who it's for
High school and community choirs looking for a sophisticated holiday arrangement that speaks to contemporary sensibilities. This piece works beautifully for groups with strong sight-reading skills and a willingness to embrace jazz idioms, though singers of intermediate ability can access it with solid preparation.
How to get the most out of it
- Balance the dramatic choral introduction to set up the stylistic shift: the opening should feel commanding and full, then pull back as the jazz waltz enters so the groove can land cleanly.
- Lock the rhythm section feel in rehearsal before adding the melodic lines. Use the SoundTrax accompaniment to establish the swing and keep the pulse steady.
- Treat the descending chromatic line as a distinctive musical fingerprint. Have singers who carry it listen for its shape independently so it cuts through the harmony without sounding mechanical.
- Keep the jazz chord voicings voiced lightly in the upper register; these contemporary harmonies need space to breathe and won't sit well if the choir oversings them.
How to use it
Program this as a headline piece in your holiday concert, perhaps as the closing selection where its contemporary energy can leave audiences on a high note. It pairs well alongside more traditional carols, offering stylistic contrast that highlights what each arrangement does distinctly.
Skills your students will build
- Jazz phrasing and swing feel in a choral context
- Reading contemporary jazz chord structures and harmonic movement
- Balancing parts in a jazz arrangement to maintain clarity without losing blend
- Understanding how stylistic arrangements can reimagine familiar melodies