We're All Children of the World: 2-Part Choral Octavo
Words by Patrice Villines, music by Tim Hayden / arr. Jay Althouse
Item: 00-PO-0000515
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More about this title
About the Composer: Tim Hayden

Tim Hayden built a three-decade career that spans from Nashville's recording studios to stages across the globe. After graduating from Reitz High School in Evansville, Indiana, he established himself as both a performer and creative force, working with artists ranging from Ricky Van Shelton to Jim Ed Brown and appearing on the Grand Ole Opry and The Tonight Show with Jay Leno. He founded Ned's Place Recording, a publishing company and studio that has produced tracks for major venues including Opryland Hotel, cruise lines, and theatrical productions throughout Tennessee.
Hayden's work as a music director has shaped numerous theatrical productions, among them Bye Bye Love (The Everly Brothers Musical), Forever, Patsy Cline, Cotton Patch Gospel, and a televised production of A Christmas Carol at the Ryman Auditorium. His songwriting earned recognition when a major-label artist recorded his composition "Alleluia, Alleluia (Peace to All Men)" on a Christmas release in 2006. Today he continues his work as choir director and music minister at LaVergne First United Methodist Church.
Why we love this
The text delivers a powerful message about global unity and shared responsibility without sacrificing musical vitality. Arranger Jay Althouse captures an energetic, accessible sound that feels contemporary while the movement and staging elements built into this piece give your singers a tangible way to embody the message they're singing. The multicultural flavor in the recorded accompaniment opens natural conversations about representation and belonging, making this more than a concert piece.
What to expect
Energetic and purposeful, this arrangement radiates optimism without sentimentality. The music propels forward with modern rhythmic sensibility while the lyrics ground the sound in something meaningful and inclusive. Singers feel the weight of the message even as the arrangement invites them to move and engage.
Who it's for
This piece works beautifully for middle school and high school choirs, particularly those looking to add a contemporary, socially conscious song to their programming. The 2-part voicing and straightforward ranges make it accessible to developing singers without sacrificing impact.
How to get the most out of it
- Lean into the rhythmic drive of the accompaniment; this piece gains momentum when singers lock in with precision rather than float above the groove.
- Stage the movement intentionally so gestures reinforce the theme of unity. Avoid choreography that isolates individuals; look for moments where the two voice parts can mirror or interweave physically.
- Balance the two voice parts so neither dominates. This is a conversation, not a harmony underneath a melody, so both lines need presence and clarity.
- Use the recorded accompaniment to establish the groove early in rehearsal; singers often find their confidence and intonation faster when they hear how their line sits within the full arrangement.
How to use it
Program this as a standalone concert piece that connects thematically with other multicultural selections, or build an entire set around global citizenship and environmental stewardship. The built-in staging elements make it a natural fit for assemblies, community outreach events, or any concert where you want to spark conversation beyond the final note.
Skills your students will build
- Balancing two independent voice parts with equal textural clarity
- Connecting physical movement to musical intention and lyrical meaning
- Interpreting contemporary rhythmic patterns and groove-based accompaniment
- Sustaining energy and forward motion in an upbeat, driving arrangement