We're All Children of the World Sheet Music Preview

We're All Children of the World: SATB Choral Octavo

Words by Patrice Villines, music by Tim Hayden / arr. Jay Althouse

Item: 00-PO-0000513

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$1.75

Minimum order quantity: 20 copies

Description
No matter our age or race, "we're all children of the world and we carry the future with us." The words are uplifting and inspiring; the music is energetic and powerful. Wonderfully appropriate in this era of planning for the earth's future. Great multicultural feel on the SoundTrax. Featured on the "Hooray for Hollywood!" movement DVD #28868.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
SKU: 00-PO-0000513

More about this title

About the Composer: Tim Hayden

Tim Hayden

Tim Hayden graduated from Reitz High School in Evansville, Indiana in 1975 and spent three decades building a career that spans Nashville recording studios, international touring, and musical theater direction. He founded and operates Ned's Place Recording, a publishing company and studio that has produced music for Opryland Hotel, multiple cruise lines, Lee Greenwood's Theater in Pigeon Forge, and Alfred Publishing. His work as a music director includes staging productions such as Bye Bye Love (The Everly Brothers Musical), Forever, Patsy Cline, Cotton Patch Gospel, and A Christmas Carol at the Ryman Auditorium in Nashville.

Hayden has performed alongside artists including Ricky Van Shelton, Earl Thomas Conley, and Boots Randolph, and made television appearances on Grand Ol' Opry Live and The Tonight Show with Jay Leno. As a songwriter, he achieved major-label recording success when his composition "Alleluia, Alleluia (Peace to All Men)" was recorded for a Christmas release in 2006. He currently serves as choir director and music minister at LaVergne First United Methodist Church.

Why we love this

This piece captures genuine uplift without sentimentality. Hayden's music matches the text's inclusive vision with energetic, rhythmic writing that feels contemporary and accessible, while Althouse's arrangement gives every voice line room to shine. The staging and movement suggestions built into the octavo make it immediately performable, and the recorded accompaniment lets you hear how the piece breathes in performance.

What to expect

Energetic and optimistic, with a driving rhythm that carries the listener forward. The text about shared identity and collective responsibility pairs with music that feels both celebratory and purposeful, creating a piece that sounds contemporary without losing accessibility.

Who it's for

Any SATB choir seeking a contemporary, thematically rich piece that speaks to unity and environmental responsibility. This works equally well in middle school, high school, community, and church choir settings. The message resonates across age groups and cultural contexts, making it ideal for multicultural programming or Earth Day concerts.

How to get the most out of it

  • Bring the text to life through dynamic contrast. The energetic sections need real drive, but pull back slightly on "we carry the future with us" to let the message land emotionally.
  • Layer the parts gradually if your choir is still learning. Let the rhythm section anchor first, then add lower voices, then sopranos and altos. This builds confidence in the ensemble feel.
  • Explore the multicultural elements suggested by the SoundTrax accompaniment. Listen for rhythmic and harmonic colors that can inform your vowel choices and phrasing.
  • Use the movement and staging cues in the score to deepen engagement. Physical commitment often unlocks vocal commitment, especially with younger singers.

How to use it

Open a concert with this piece to set a hopeful, inclusive tone. It pairs well with other contemporary secular works or environmental-themed programming. The compact length and built-in staging options make it excellent for assembly performances, benefit concerts, or any program emphasizing social awareness and unity.

Skills your students will build

  • Balancing part independence with ensemble blend in contemporary voicings
  • Interpreting movement and staging cues while maintaining vocal focus
  • Singing with rhythmic precision in energetic, driving tempos
  • Projecting text with emotional authenticity in secular, message-driven music

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