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We're All Children of the World: Choral Octavo SoundTrax CD

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We're All Children of the World Cover Image

We're All Children of the World: Choral Octavo SoundTrax CD

Words by Patrice Villines, music by Tim Hayden / arr. Jay Althouse

Item: 00-28642

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Description
No matter our age or race, "we're all children of the world and we carry the future with us." The words are uplifting and inspiring; the music is energetic and powerful. Wonderfully appropriate in this era of planning for the earth's future. Great multicultural feel on the SoundTrax. Featured on the "Hooray for Hollywood!" movement DVD #28868.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
UPC: 038081311869
SKU: 00-28642

More about this title

About the Composer: Tim Hayden

Tim Hayden

Tim Hayden's three-decade career spans performance, production, and composition across Nashville's most recognized venues and stages. A 1975 graduate of Reitz High School in Evansville, Indiana, he has built a distinctive path that includes founding Ned's Place Recording, where he produces tracks for major entertainment clients including Opryland Hotel, cruise lines, and regional theaters. His work as music director and performer extends from Broadway-style productions (Bye Bye Lovez, Forever, Patsy Cline, Cotton Patch Gospel) to performances on the Grand Ole Opry and The Tonight Show with Jay Leno.

Beyond his production and performance credits, Hayden is an accomplished songwriter and composer whose work has reached national audiences. In 2006, a major-label recording artist recorded his composition "Alleluia, Alleluia (Peace to All Men)" for a Christmas release. He currently serves as choir director and music minister at LaVergne First United Methodist Church in Tennessee, bringing his extensive professional experience directly to the choral community.

Why we love this

Hayden and arranger Jay Althouse craft a piece with genuine theatrical energy that doesn't feel manufactured or preachy. The multicultural production design on the SoundTrax recording gives directors a clear model for how the piece can breathe beyond the notes on the page. The combination of uplifting message with genuinely engaging music makes this a rare choice that students will want to sing and audiences will remember.

What to expect

Energetic and purposeful, with an undercurrent of genuine optimism rather than saccharine sentiment. The music moves forward with momentum while remaining rooted in singable, memorable lines that feel contemporary without veering into trend-chasing.

Who it's for

This octavo works for middle school and high school choirs seeking accessible contemporary repertoire with a message that resonates. It's particularly suited to directors programming secular concerts, multicultural showcases, or events focused on global community and forward-thinking themes.

How to get the most out of it

  • Use the SoundTrax recording early in rehearsal to establish the piece's rhythmic drive and stylistic character, especially if your choir hasn't performed contemporary secular works before.
  • Integrate the suggested movement and staging throughout your rehearsals rather than adding choreography as an afterthought; the staging becomes part of how the piece communicates its message.
  • Balance the energetic tempo with clear diction so the lyrical content ("we carry the future with us") lands meaningfully rather than getting lost in the momentum.
  • Lean into the multicultural feel by varying tone color and vocal weight across sections; avoid a uniform, classical approach that would undercut the piece's contemporary spirit.

How to use it

This piece can anchor a concert section on social responsibility and global awareness, or serve as a powerful closer for a program addressing youth, community, or environmental themes. Its theatrical dimension also makes it valuable for concert productions that blend concert music with light staging or choreography.

Skills your students will build

  • Singing contemporary choral writing with rhythmic precision
  • Interpreting movement and staging as an extension of musical expression
  • Balancing energetic tempo with clear lyrical communication
  • Developing ensemble blend in multicultural and world music contexts

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