Until We Meet Again: 3-Part Mixed Choral Octavo
Traditional Irish Blessings, music by Ruth Morris Gray
Item: 00-PO-0008015
Minimum order quantity: 20 copies
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Description
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More about this title
About the Arranger: Ruth Morris Gray

Ruth Morris Gray directs choirs at Rosemead High School in California, a position she has held since 2004 alongside teaching piano. She holds a Bachelor of Music in Piano Performance and Composition from Biola University and a Master of Arts in Music Composition from UC Santa Barbara, credentials that ground her work in both performance and theoretical depth.
With over 100 published choral compositions to her name, Gray has built a reputation for writing music that serves real classroom needs. Her work balances artistic integrity with pedagogical wisdom, crafted by someone who spends every day in the rehearsal room understanding what singers of different ages and abilities can accomplish.
Why we love this
Gray sources her text from Irish blessing traditions, giving the piece authentic cultural roots while keeping the arrangement lean and singable for young choirs. The subtle Celtic rhythmic flavor sets it apart from generic farewell songs without overwhelming singers who may have limited experience with world music styles.
What to expect
The piece unfolds with warmth and quiet dignity, drawing listeners into a moment of genuine reflection. Celtic rhythmic touches add gentle movement and character without ever feeling forced or trendy.
Who it's for
This works beautifully for choirs spanning middle school through adult ensembles seeking an emotionally resonant but technically accessible farewell piece. The 3-part voicing accommodates developing singers while remaining artistically satisfying for more experienced groups.
How to get the most out of it
- Let the accompaniment establish the Celtic character early; have singers listen during the introduction to absorb the rhythmic feel before they enter.
- Shape the text with care since multiple blessings are woven together; emphasize punctuation and phrase breaks so the blessing messages land clearly.
- Build the dynamic arc gently; this piece earns its power through sincerity rather than volume, so resist the urge to push too hard in final sections.
How to use it
Reserve this for graduation ceremonies, end-of-year concerts, or any context where community and closure matter. It also pairs well as the closing selection on concert programs where you want to send the audience out thoughtfully rather than energetically.
Skills your students will build
- Blending three-part harmony with balanced voice distribution
- Interpreting text from multiple sources as a cohesive emotional arc
- Responding to Celtic rhythmic inflection in an arrangement
- Sustaining legit vocal tone across dynamic and textural changes