Treasure Sheet Music Preview

Treasure: Full Orchestra Conductor Score & Parts

As recorded by Bruno Mars

Words and music by Philip Lawrence, Bruno Mars, Ari Levine, and Phredley Brown / arr. Victor López

Grade: 3

Item: 00-PK-0006091

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Description
With expert Latin touches from the arranger, this top hit will have them all dancing in the aisles! Very playable, this one is hot and the kids will know it! Plays well as a string orchestra piece. (3:10)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Treasure: Full Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Pop Intermediate String/Full Orchestra
Publisher: Alfred Music
Page Count: 250
SKU: 00-PK-0006091

More about this title

About the Composer: Philip Lawrence

Philip Lawrence is a songwriter and producer who has shaped some of the biggest pop hits of the 2010s and beyond. His work with Bruno Mars, including the songwriting and production credits on multiple platinum records, demonstrates his ear for infectious melodies and groove-based songwriting that translates exceptionally well to ensemble arrangements.

Why we love this

Victor López's arrangement captures all the infectious energy of the original while making it genuinely playable for a full orchestra at this level. The Latin percussion and rhythmic drive keep students engaged from downbeat to final chord, and the piece works beautifully whether you field a full orchestra or lean into the string arrangement.

What to expect

A bright, propulsive celebration of contemporary pop sensibility meets Latin groove. The arrangement sparkles with infectious energy, building momentum through layers of rhythm and melody that make you want to move.

Who it's for

Conductors looking to program a contemporary pop arrangement that energizes both players and audiences without sacrificing musicality. Grade 3 orchestras with solid section fundamentals will find the Latin touches and rhythmic complexity engaging but achievable.

How to get the most out of it

  • Lock the Latin percussion groove early in rehearsals. The clave and timbales set the rhythmic foundation that everything else depends on, so isolate these parts before bringing in the full ensemble.
  • Balance the horn and trumpet lines against the strings so the brass articulation stays crisp without drowning out upper string melodies in the B section.
  • Treat the rhythmic unisons (particularly in woodwinds and lower strings) with precision and confidence. Clean attacks here make the arrangement sparkle.
  • Let the recorded accompaniment (if available separately) anchor tempo and groove during early rehearsals, then gradually wean the ensemble off it so they internalize the pocket.

How to use it

Pair this with one classical and one contemporary work to create a concert that reflects the full range of orchestral literature. It works equally well as a standalone show-stopper or as part of a themed "pop across genres" program that keeps younger audiences invested.

Skills your students will build

  • Reading and executing Latin rhythmic patterns (clave, tumbao, clave-based ostinatos)
  • Maintaining ensemble precision in syncopated, groove-based music
  • Balancing tutti rhythmic unisons against contrasting melodic lines
  • Responding to arranged percussion textures as a rhythmic anchor
  • Playing contemporary pop arrangements with stylistic authenticity

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