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Treasure: Full Orchestra Conductor Score

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Treasure: Full Orchestra Conductor Score

As recorded by Bruno Mars

Words and music by Philip Lawrence, Bruno Mars, Ari Levine, and Phredley Brown / arr. Victor López

Grade: 3

Item: 00-41222S

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Description
With expert Latin touches from the arranger, this top hit will have them all dancing in the aisles! Very playable, this one is hot and the kids will know it! Plays well as a string orchestra piece.

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Additional Details
Series: Pop Intermediate String/Full Orchestra
Publisher: Alfred Music
Page Count: 24
UPC: 038081478852
SKU: 00-41222S

More about this title

About the Composer: Philip Lawrence

Philip Lawrence co-wrote "Treasure" with Bruno Mars, Ari Levine, and Phredley Brown as part of Mars' blockbuster 2012 album. Lawrence has established himself as a songwriter and producer across pop and R&B, contributing to hits that span multiple genres and generations of listeners. His work on "Treasure" captures the infectious, retro-influenced energy that made the original recording a cultural phenomenon.

Why we love this

Victor López's orchestration nails the Latin groove that makes "Treasure" instantly recognizable while keeping the part writing accessible for Grade 3 ensembles. Students respond with real enthusiasm to modern pop hits they know, and this arrangement doesn't sacrifice the infectious energy for playability. The percussion and rhythm section writing will energize your entire orchestra.

What to expect

Bright, propulsive, and danceable from the opening, "Treasure" radiates the joy and retro-modern energy of the original. The Latin percussion colors and rhythmic drive create infectious momentum that pulls the entire ensemble forward, while warm melodic lines and clever orchestration keep things musically satisfying beneath the obvious appeal.

Who it's for

Full orchestras at the Grade 3 level, especially programs looking to program contemporary pop hits that engage students and audiences alike. This works equally well for concert or pops programming and gives younger orchestras a chance to play music they recognize and enjoy.

How to get the most out of it

  • Lock the rhythm section (percussion, bass, guitar if included) tight from the first rehearsal. The Latin groove depends on absolute rhythmic precision, not rushing the tempo.
  • Balance the melody line so it sings above the accompanying voices, but don't let soloists overpower the ensemble's groove.
  • Bring out the countermelodies and inner lines that López has woven throughout; they add sophistication to an already fun arrangement.
  • Pay attention to articulation markings, especially in the brass and reeds. Clean attacks and precise releases keep the Latin feel crisp.

How to use it

Program this as an anchor for a pops concert or as a palate-cleanser in a mixed classical program. It pairs well with other contemporary arrangements and gives audiences a recognizable moment while showcasing your orchestra's ensemble musicianship and stylistic range.

Skills your students will build

  • Latin rhythm patterns and clave-based grooves
  • Ensemble synchronization in syncopated textures
  • Style-appropriate articulation and phrasing in pop idioms
  • Maintaining groove while reading fuller orchestral textures

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