Too Darn Hot Cover Image

Too Darn Hot: SoundTrax Digital Audio Download

$29.99 USD
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Too Darn Hot Cover Image

Too Darn Hot: SoundTrax Digital Audio Download

from Kiss Me, Kate

Arr. Mark Hayes

Item: 00-A-00014715

$29.99
Digital Download
Description

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
SKU: 00-A-00014715

More about this title

About the Composer: Cole Porter

Cole Porter (1891-1964) was an American composer and lyricist whose sophisticated harmonies, witty wordplay, and infectious melodies defined the Golden Age of Broadway musicals. Working primarily from the 1920s through the 1950s, Porter composed some of the most performed standards in jazz and popular music, blending classical training with an ear for contemporary vernacular. His songs remain central to choral repertoire because they reward both precise ensemble work and expressive interpretation.

Why we love this

Mark Hayes's arrangement captures the sultry swagger of Porter's original while keeping the vocal writing accessible for mixed choirs. The piece swings naturally when properly paced, giving students a chance to inhabit a real jazz idiom rather than simply singing notes on a page. It's the kind of showstopper that reminds audiences why Porter's songs have lasted a century.

What to expect

The arrangement crackles with the heat the title promises. Harmonies are lush without being heavy, and the rhythmic drive sits somewhere between bebop and Broadway swing. There's a knowing sophistication to the musical language that rewards singers who lean into the text's humor and sensuality.

Who it's for

This is ideal for mixed choirs seeking repertoire that bridges classical training and contemporary style. Singers with jazz or popular music experience will connect immediately, but it works equally well as an entry point into jazz phrasing for classically trained ensembles. The recording and instrumental parts support directors at different skill levels.

How to get the most out of it

  • Keep the tempo lively and confident; the lyric and character demand energy without rushing the underlying pocket.
  • Balance clarity in the lyrics with the rhythmic precision jazz phrasing requires; enunciation and swing feel work together here.
  • Use the recorded accompaniment in rehearsal to lock the groove, then gradually reduce dependence on it so the choir finds its own momentum.
  • Shape phrases with jazz interpretation in mind: slight breath placement can emphasize the playfulness of the text.

How to use it

Program this as a second-half closer or opening number when you want to shift the concert's energy toward popular song and entertainment. It pairs well with other Porter standards or with contemporary pop arrangements in a spring concert. The piece also works as a showcase moment during a pops concert or as a finale to a jazz-themed program.

Skills your students will build

  • jazz phrasing and swing feel in ensemble context
  • syncopated rhythm reading in jazz idiom
  • blend and balance with improvised-sounding text delivery
  • interpretation of sophisticated harmonies in contemporary style
  • coordination with accompaniment in a popular music framework

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