Too Darn Hot Cover Image

Too Darn Hot: SSA Choral Octavo

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Too Darn Hot Cover Image

Too Darn Hot: SSA Choral Octavo

from Kiss Me, Kate

Words and music by Cole Porter / arr. Mark Hayes

Item: 00-48367

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Description
Originally written for Kiss Me Kate, this Cole Porter tune has become a treasured part of the Great American Songbook. A sultry bass line and finger snaps command attention right from the first sizzling measure. Clean jazz writing makes the harmonies jump right off the page. Add the optional SoundPax or SoundTrax to bring the sound of classic Broadway to your stage!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Too Darn Hot: SSA Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 16
UPC: 038081551906
SKU: 00-48367

More about this title

About the Composer: Cole Porter

Cole Porter (1891-1964) was an American composer and lyricist whose sophisticated harmonies, witty lyrics, and innovative orchestrations defined the Golden Age of Broadway. His songs combine jazz idioms with classical training, creating music that remains instantly recognizable and endlessly performed. Porter's influence on American musical theater extends far beyond his lifetime; his melodies and harmonic language continue to shape how singers and arrangers approach the American songbook.

Why we love this

Mark Hayes brings Porter's sultry sophistication to an SSA setting without losing the snap and sizzle of the original. The clean jazz writing makes this accessible for treble choirs while the optional recorded accompaniment options let you deliver a genuinely Broadway-sounding performance even without a pit band. It's a rare piece that works equally well for building vocal maturity and bringing genuine excitement to a concert.

What to expect

Sultry, confident, and irresistibly groove-oriented. From the first finger snap, this arrangement commands the room with the cool swagger of a classic Broadway nightclub act. The harmony is sophisticated enough to reward careful listening, yet the overall feel remains infectious and audience-friendly.

Who it's for

Treble choirs at the intermediate to advanced level who want to tackle legitimate jazz repertoire with Broadway credibility. This works for high school choirs, community ensembles, and select middle school groups with strong musicianship and rhythmic confidence.

How to get the most out of it

  • Lock the rhythm section and finger snaps together from the start; the sultry bass line only lands if the snap pattern is tight and consistent.
  • Shape the melody with jazz phrasing rather than straight classical diction. Think conversational and slightly behind the beat in places.
  • Balance the harmonies so the jazz voicings bloom without overwhelming the top line; this arrangement rewards careful blend work.
  • Use the recorded accompaniment to nail the groove before rehearsing with just piano, so singers absorb the authentic swing feel.

How to use it

Program this as a showstopper in a pops or cabaret-style concert, or use it to open a set of American songbook standards. The recorded accompaniment makes it an excellent choice for spring concert when rehearsal time grows limited but you want to deliver a polished, energetic performance.

Skills your students will build

  • Jazz articulation and phrasing in a choral context
  • Rhythmic precision and snap/percussion integration
  • Singing jazz harmonies with blend and intonation
  • Stylistic interpretation of Broadway-influenced arranging

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