Ticket to the Kingdom: SAB Choral Octavo
Words and music by Donald Moore
Item: 00-PO-0003060
Minimum order quantity: 20 copies
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Description
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More about this title
About the Composer: Donald Moore

Donald Moore earned his Bachelor of Music in organ performance and Master of Arts in Teaching from Kent State University. He has served as Organist-Choirmaster at Pilgrim United Church of Christ in Cuyahoga Falls, Ohio, and maintains an active career composing and arranging across multiple genres and ensembles.
Moore's catalog exceeds 500 published works distributed through major publishers including Alfred Music, Hal Leonard, Heritage Music Press, and others. His compositions appear regularly at state and national festivals, and he is a seventeen-time recipient of the ASCAP Composers Standard Award. In 2012, the American Choral Directors Association recognized him among 400 historically significant composers in American choral music.
Why we love this
Moore's spiritual arrangements have become repertoire staples precisely because they work across age groups and ability levels without sacrificing authenticity. This three-voicing edition of 'Ticket to the Kingdom' makes a beloved piece genuinely accessible to developing choirs while preserving the warmth and directness that have earned it a place in thousands of concert programs. You get a piece that feels both immediately singable and musically satisfying.
What to expect
Rooted in the resilience of African American spiritual tradition, 'Ticket to the Kingdom' radiates quiet determination and hope. The melody carries the warmth of a well-worn hymn, and Moore's voicing allows singers to feel both individually supported and woven into something larger than themselves.
Who it's for
This octavo serves developing mixed choirs, youth ensembles, and community groups seeking spirituals that honor the tradition without overwhelming younger or less experienced singers. Directors programming choirs across multiple age levels will find the SAB voicing manages strong soprano and alto lines while keeping the baritone part within accessible range and tessitura.
How to get the most out of it
- Keep the pulse steady and unhurried; spirituals thrive on deliberate phrasing rather than brisk tempos, allowing the text's emotional weight to land with listeners
- Balance the parts so that melodic lines emerge clearly without the accompaniment voices receding into invisibility
- Shape phrases through vowel consistency and breath placement; avoid scooping into notes, which muddies the spiritual's characteristic directness
- Let dynamics serve the text; resist the urge to swell on every phrase, and instead use restraint to build cumulative power across the piece
How to use it
This work pairs naturally with other spirituals in a concert exploring faith and perseverance, or stands alone as a moment of genuine reflection in a mixed program. Its modest length and emotional directness make it equally effective for a spring concert, a heritage music celebration, or a program addressing themes of identity and resilience.
Skills your students will build
- Sustaining legit through longer phrases without breath breaks
- Balancing harmonic parts to feature melody while maintaining textural unity
- Interpreting spiritual style and historical context with respect and authenticity
- Managing range and tessitura in mixed-voice ensembles