There Will Come Soft Rains Cover Image

There Will Come Soft Rains: PianoTrax Digital Download

$9.99 USD
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There Will Come Soft Rains Cover Image

There Will Come Soft Rains: PianoTrax Digital Download

Words by Sara Teasdale, music by Ruth Morris Gray

Item: 00-A-00016476

$9.99
Digital Download
Description

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
UPC: 0
SKU: 00-A-00016476

More about this title

About the Composer: Ruth Morris Gray

Ruth Morris Gray

Ruth Morris Gray has directed choirs at Rosemead High School in California since 2004, where she also teaches piano. She holds a Bachelor of Music in Piano Performance and Composition from Biola University and a Master of Arts in Music Composition from the University of California, Santa Barbara, complemented by a California Single Subject Music Credential from California State University, Northridge.

With over 100 published choral compositions to her name, Gray brings both compositional depth and classroom experience to her work. Beyond music, she is an avid traveler, swimmer, and cyclist who shares her love of exploration and movement with her husband, Douglas.

Why we love this

Gray's setting captures the haunting quietude of Sara Teasdale's poem with harmonic sophistication that never overwhelms a three-part choir. The piece works equally well in concert and festival settings, offering directors a literary text that resonates with student musicians while remaining genuinely singable across all three parts.

What to expect

Gentle and introspective, this setting unfolds with the same quiet inevitability as Teasdale's meditation on renewal and gentle dissolution. The harmonic language is warm and modern without sacrificing lyricism, creating space for singers to inhabit the emotional landscape of the text.

Who it's for

Directors programming three-part mixed choirs at the high school or advanced middle school level will find this piece both accessible and musically rewarding. It suits singers who are developing musicianship through contemporary choral literature grounded in strong poetic sources.

How to get the most out of it

  • Balance the text clarity with the accompaniment by rehearsing the choral lines a cappella first, then layering in the piano part to ensure poetic diction remains the foreground.
  • Shape the overall arc through dynamic and tempo nuance rather than dramatic shifts; the quiet reflective quality depends on restraint and sustained vowel shapes.
  • Use the PianoTrax accompaniment track as a rehearsal tool to lock ensemble entries and vertical alignment before moving to live accompaniment.
  • Pay attention to breath placement between phrases to maintain legato line while allowing the text to breathe naturally.

How to use it

Program this alongside other contemporary settings of American poetry for a thematic concert that explores how modern composers approach literary texts. It also pairs well with concert programs that highlight women composers and the diverse range of their choral voices.

Skills your students will build

  • Singing sustain and legit through longer phrases
  • Ensemble intonation in contemporary harmonic progressions
  • Text interpretation and poetic expression
  • Part independence in three-part writing

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