There Will Come Soft Rains Cover Image

There Will Come Soft Rains: SATB Choral Octavo

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There Will Come Soft Rains Cover Image

There Will Come Soft Rains: SATB Choral Octavo

Words by Sara Teasdale, music by Ruth Morris Gray

Item: 00-46594

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Description
Pensive and poignant, the poem describes nature's response to war. Haunting and harmonic, the music captures the ear. A perfect marriage of words and music, appropriate for developing choirs as well as advanced ensembles.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, There Will Come Soft Rains: SATB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081531694
SKU: 00-46594

More about this title

About the Composer: Ruth Morris Gray

Ruth Morris Gray

Ruth Morris Gray has built a career as both an educator and prolific composer, earning degrees in piano performance and composition from Biola University and a master's degree in music composition from UC Santa Barbara. Since 2004, she has directed the choirs at Rosemead High School in California while maintaining an active composing practice that has produced over 100 published works.

Gray's approach to choral writing reflects her dual training in keyboard and composition; her pieces balance harmonic sophistication with singability across skill levels. Beyond the music classroom, she is an accomplished pianist and performer, though her creative energy extends into travel, swimming, reading, and cycling with her husband.

Why we love this

Gray's setting honors both Sara Teasdale's haunting text and the musical possibilities within it, creating something that feels inevitable rather than imposed. The harmonic language sustains that pensive quality throughout without requiring advanced vocal technique, which means your ensemble can focus on emotional depth rather than survival. It's a piece that sounds substantial in performance while remaining accessible during rehearsal.

What to expect

The music unfolds with restraint, allowing Teasdale's meditation on nature's indifference to human conflict to resonate fully. Harmonic motion is deliberate and often open, creating space for contemplation rather than urgency. There's a quiet dignity in the writing, neither sentimental nor austere.

Who it's for

This octavo serves developing choirs building confidence with SATB texture and contemporary harmonic language, as well as advanced ensembles seeking literature that deepens interpretive skill without excessive technical demand. Directors programming concert or festival events need repertoire that connects audiences to meaningful poetry, and this setting delivers that bridge.

How to get the most out of it

  • Shape the phrases to follow the natural cadence of Teasdale's language; resist the urge to punctuate at every chord change. Let the text breathe through the sustained harmony.
  • Balance the textural changes between fuller and thinner moments. When voices drop away, those entrances that follow land with more impact.
  • Pay attention to the relationship between soprano and alto lines in passages where they diverge; these countermelodic moments are the backbone of the harmonic interest.
  • Record a rehearsal mix and listen as a group to hear how your blend affects the piece's overall color. Choral blend in pensive material makes the difference between moving and merely nice.

How to use it

This piece works powerfully as a centerpiece in a concert exploring nature poetry or as a reflective moment within a more varied program. It also pairs well with earlier Romantic song settings or contemporary secular choral work, offering your audience a genuine emotional pivot point rather than musical filler.

Skills your students will build

  • Balancing independent SATB lines within sustained harmonic contexts
  • Interpreting literary text through musical phrasing and breath
  • Singing in contemporary harmonic language with confidence
  • Blending sectional sound to achieve emotional transparency
  • Understanding how silence and space contribute to musical meaning

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