The World Is Ours Cover Image

The World Is Ours: Choral Octavo SoundTrax CD

$27.99 USD
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The World Is Ours Cover Image

The World Is Ours: Choral Octavo SoundTrax CD

Words and music by Aloe Blacc, Antonina Armato, Tim James, Adam Schmalholz, Andrew Bloch, Joseph Lawrence Altrude, and Edmund Dunne / arr. Greg Gilpin

Item: 00-43544

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Description
This carnival-inspired World Cup theme song combines pop and samba rhythms in an inspiring message of hope! Appropriate for all ages.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 038081490847
SKU: 00-43544

More about this title

About the Composer: Aloe Blacc

Aloe Blacc is a singer-songwriter and producer known for blending soul, pop, and world music influences into accessible, socially conscious work. His compositions have reached global audiences through film, television, and live performance, often carrying themes of unity and inspiration that resonate across cultures and age groups.

Why we love this

Greg Gilpin's arrangement captures the infectious energy of samba and pop without overwhelming younger singers or mixed-voice choirs. The recorded accompaniment gives you options for rehearsal flexibility, and the uplifting message makes this a natural fit for concert finales, community events, or spring programming when you want something contemporary with genuine musical substance.

What to expect

Bright, celebratory, and genuinely joyful. The samba and pop rhythms create momentum that carries listeners along, while the message of hope and shared possibility gives the piece emotional weight beyond its surface energy. It's the kind of music that sounds fun to sing and feels good to hear.

Who it's for

This piece works for any mixed or treble choir looking to add contemporary flavor to their repertoire without sacrificing musicality. The all-ages appeal and uplifting message make it equally at home in community choirs, school groups, and festival settings.

How to get the most out of it

  • Balance the pop and samba rhythms by locking the backbeat with your rhythm section during rehearsal; once that pulse is solid, the melodic lines land with much more clarity and forward motion.
  • Layer in the samba percussion elements gradually. Start with hand percussion in a separate rehearsal section, then bring it into full ensemble work so singers aren't fighting against complex rhythmic texture.
  • The recorded accompaniment works best when you preview it in sectionals first. Let your singers hear their individual parts against the full track before attempting a complete run-through.
  • Keep the energy lifted but avoid rushing through the faster sections. The carnival feel comes from confidence and groove, not speed.

How to use it

Open a concert with this after a more introspective opening number, or close one with it for maximum impact. It also pairs well in a thematic program around cultural celebration, social connection, or contemporary pop styles alongside other modern choral works.

Skills your students will build

  • Singing layered rhythmic patterns across samba and pop styles
  • Maintaining groove and pulse while singing melodic lines
  • Balancing blend in a contemporary, percussion-driven texture
  • Interpreting articulation and energy in pop-inflected vocal writing

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