The World Is Ours Cover Image

The World Is Ours: SATB Choral Octavo

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The World Is Ours Cover Image

The World Is Ours: SATB Choral Octavo

Words and music by Aloe Blacc, Antonina Armato, Tim James, Adam Schmalholz, Andrew Bloch, Joseph Lawrence Altrude, and Edmund Dunne / arr. Greg Gilpin

Item: 00-43540

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Description
This carnival-inspired World Cup theme song combines pop and samba rhythms in an inspiring message of hope! Appropriate for all ages.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, The World Is Ours: SATB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081490809
SKU: 00-43540

More about this title

About the Composer: Aloe Blacc

Aloe Blacc is a singer, songwriter, and producer whose work spans R&B, soul, hip-hop, and pop. He has written and performed music for major international events, bringing together diverse musical traditions and socially conscious messaging in accessible, radio-friendly formats.

Why we love this

Greg Gilpin's arrangement captures the infectious energy of the original while making it genuinely singable for mixed voices. The samba and pop blend feels fresh without overwhelming singers who are new to Latin rhythms, and the message of unity lands powerfully without ever feeling preachy.

What to expect

Warmth and momentum. The samba rhythms create an irresistible groove that pulls the ensemble forward, while the pop sensibility keeps everything grounded and singable. There's genuine joy here, buoyed by a message of hope that the music itself reinforces with every phrase.

Who it's for

Any mixed choir ready to explore contemporary pop and Latin fusion. This works for high school and adult choirs, community groups, and concert settings where you want music that energizes both singers and audiences. The accessible range and straightforward narrative make it equally effective for younger ensembles with strong rhythm skills.

How to get the most out of it

  • Establish the samba pulse early in rehearsal by having the choir clap and count the rhythmic foundation before adding any singing.
  • Balance the pop and Latin elements by keeping diction crisp on the pop sections while allowing the samba grooves to breathe and settle into the ensemble's body.
  • Use the recorded accompaniment to lock the rhythmic precision, especially through syncopated passages where the parts move independently.
  • Shape dynamics around the lyrical content; the verses can sit lower and more intimate, then build outward for the anthem-like sections that anchor the hope message.

How to use it

This is a natural fit for spring concerts, celebrations of unity or diversity, or any program celebrating global cultures. Its length and energy make it effective as a closer or a bridge between heavier classical pieces and lighter pops repertoire, giving audiences a moment of collective uplift.

Skills your students will build

  • Reading syncopated rhythms in mixed meters within a pop/Latin context
  • Singing samba and pop rhythmic patterns with precision and groove
  • Balancing independent melodic lines in SATB voicing over a rhythmic foundation
  • Executing crisp diction in contemporary pop-influenced text setting
  • Building dynamic contrast and shape within a rhythmically driven arrangement

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