The World Is Ours Sheet Music Preview

The World Is Ours: 2-Part Choral Octavo

Words and music by Aloe Blacc, Antonina Armato, Tim James, Adam Schmalholz, Andrew Bloch, Joseph Lawrence Altrude, and Edmund Dunne / arr. Greg Gilpin

Item: 00-PO-0003427

Digital Download
$2.00

Minimum order quantity: 20 copies

Description
This carnival-inspired World Cup theme song combines pop and samba rhythms in an inspiring message of hope! Appropriate for all ages.

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Sample Audio
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Sample Video
Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
SKU: 00-PO-0003427

More about this title

About the Composer: Aloe Blacc

Aloe Blacc is a Grammy-nominated singer, songwriter, and producer known for blending soul, reggae, and pop influences into globally resonant music. His work often carries themes of social consciousness and human connection, earning him recognition across commercial and artistic spheres. Blacc collaborated with multiple songwriters and producers on this World Cup anthem, bringing his distinctive voice and worldview to a celebration of unity and collective aspiration.

Why we love this

The collision of samba momentum with pop sensibility gives this piece genuine infectious energy without sacrificing musical substance. Designed for 2-part voices, it remains accessible while honoring the rhythmic complexity that makes Latin grooves engaging to perform and hear. Programming it lands your choir in contemporary cultural conversation while delivering a morale-boosting finale that audiences genuinely want to hear.

What to expect

Bright, propulsive, and celebratory. The samba rhythms pulse underneath pop-sensible melodies, creating that infectious carnival atmosphere where collective energy feels inevitable. You're singing something current and globally conscious, not a time capsule.

Who it's for

Mixed-voice choirs seeking contemporary material with substance, youth choirs ready to tackle world music grooves, and directors programming concerts that connect to current cultural moments. All age groups can perform and connect with the hopeful message and accessible voicing.

How to get the most out of it

  • Lock the syncopation between your two voice parts during the samba-influenced sections; slight rhythmic slippage here undermines the groove, so rehearse with the recorded accompaniment early and often.
  • Shape the phrasing around the samba and pop rhythmic patterns rather than treating them as straight melodic lines. Let the groove inform where you breathe and release.
  • Balance clarity of text with the celebratory tone. The message matters, but it should land naturally within the infectious rhythm, not over-announced.

How to use it

Position this as a concert closer or the finale of a set exploring world music and contemporary pop. It works equally well as a standalone feature or as part of a larger programming arc addressing themes of unity and shared purpose. The 12-page length and 2-part voicing make it practical for mixed-age ensembles performing everything from school concerts to community events.

Skills your students will build

  • Performing samba rhythms and syncopation in a choral context
  • Blending pop and Latin styles
  • Maintaining rhythmic independence between two voice parts
  • Connecting lyrical message to contemporary world events and cultural moments

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