The Wonderful World Cover Image

The Wonderful World: Choral Octavo SoundTrax CD

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The Wonderful World Cover Image

The Wonderful World: Choral Octavo SoundTrax CD

Words by William Brighty Rands, music by Janet Gardner

Item: 00-40046

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Description
With words by "The Laureate of the Nursery," this exciting concert piece offers an optimistic view of one's place in the world. A gentle lilt and a constant eighth note make the meter changes seamless, and optional cue-sized notes easily turn this 2-part choral into an SSA arrangement.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
UPC: 038081447018
SKU: 00-40046

More about this title

About the Composer: Janet Gardner

Janet Gardner

Janet Gardner studied music education at Concordia College in Moorhead, Minnesota, before spending 33 years teaching elementary general music in Montevideo. During her classroom career, she presented workshops at state universities and clinician sessions at regional conventions throughout the United States and Canada. She earned recognition as Minnesota Music Classroom Teacher of the Year in 1995 and chaired the state elementary composition contest for six years.

Gardner has composed numerous musicals for young singers, including Bones!, Broadway Santa, The Granny Awards, and The Phantom of the Music Room, all published by Alfred. Her choral works for school ensembles include settings of Godfrey Gordon Gustavus Gore and The Tide Rises, The Tide Falls. She has received annual ASCAP awards for her compositions. Since retiring from full-time teaching in 2006, Gardner continues to compose from her home in Minnesota while serving as a church musician and board member of the Minnesota Valley Community Concert Association.

Why we love this

Gardner writes with the school choir's practical needs in mind. This piece flows naturally through meter changes without awkward seams, and the optional cue-sized notes give you genuine flexibility: teach it as a unison line, as 2-part mixed voices, or expand it to three parts depending on your singers' readiness. The optimistic text and lilting accompaniment make it a joy to rehearse.

What to expect

Bright and affirming, like looking out at your corner of the world and finding it full of possibility. The gentle, rolling motion paired with optimistic text creates something warm without being saccharine, grounded without being heavy.

Who it's for

Elementary and middle school choirs looking for accessible repertoire with literary substance. The flexible voicing makes it ideal for mixed-age ensembles or groups still developing harmonic independence.

How to get the most out of it

  • Anchor the constant eighth-note pulse in the accompaniment so singers lock into the gentle rhythm even as the meter shifts. This creates the seamless quality Gardner built into the composition.
  • Balance the melody line with the accompaniment track; the recorded version is a starting point, not a necessity. Many directors prefer learning with it, then dropping it for performance.
  • Shape the text naturally within the lilt rather than fighting it. Let the rhythm support the words, and the piece will feel conversational rather than stiff.

How to use it

Program this early in a concert to establish an uplifting tone, or use it as a standalone piece for a winter or spring festival where you want something contemporary but accessible. It pairs well with folk arrangements or other Gardner works if you're building a thematic program around student agency or community.

Skills your students will build

  • Reading and maintaining consistent eighth-note rhythm across meter changes (primarily 2/4 and 4/4)
  • Singing with independence in optional three-part voicing while maintaining blend
  • Interpreting literary text with natural phrasing inside a fixed rhythmic structure
  • Ensemble synchronization with recorded accompaniment

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