The Roadrunner's (Beep! Beep!) Boogie Woogie - Piano Solo: Piano Solo
6 Light-Hearted Solos in a Variety of Styles for the Early Intermediate Pianist
By Catherine Rollin
Level: Early Intermediate
Item: 00-PS-0017467
Pickup currently not available
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More about this title
About the Composer: Catherine Rollin

Catherine Rollin balances an active performance schedule with mentoring accomplished students, having delivered workshops and masterclasses across more than 200 cities throughout the United States, Canada, Japan, and Taiwan. She holds a Bachelor of Musical Arts with distinction from the University of Michigan and a Master of Music from Oakland University School of Performing Arts.
Rollin's compositional voice has earned commissions from Clavier Companion, the Music Teachers National Association (MTNA), and the Michigan Music Teachers Association, with numerous selections appearing in the National Federation of Music Clubs Festivals Bulletin. Her work has been recognized with an ASCAP award for her Museum Masterpieces series and she served as a national judge for both the MTNA Student Composition Competition and the prestigious Lynn Freeman Olson Composition Contest. In 2018, the Steinway Society honored her with a concert featuring her compositions and piano performances, and that same year her commissioned trio for flute, alto saxophone, and piano premiered at the MTNA national conference in Orlando.
Why we love this
Rollin writes with genuine understanding of what makes young pianists eager to practice. The roadrunner character and boogie woogie idiom create immediate appeal, while the jazz vocabulary introduces students to swing rhythms and blues tonality without overwhelming them. This piece carries Federation Festivals recognition, making it a smart choice for adjudicated events.
What to expect
You're channeling pure cartoon energy, beep-beep and all. The rhythm bounces with mischief, the harmonies have that bluesy, off-kilter warmth of boogie woogie, and every phrase feels like the roadrunner dashing across the desert one more time. It's fun without being trivial.
Who it's for
Early intermediate pianists ready to explore jazz language and comic character work. The piece appeals to students who love contemporary idioms and witty musical storytelling, and it works equally well for festival entry or a concert showcase.
How to get the most out of it
- Lock in a steady, driving pulse before adding swing feel to the eighth notes; the comedic character depends on rhythmic precision beneath the shuffle.
- Let the ostinato patterns in the left hand stay consistent and mechanical, almost like the roadrunner's feet hitting the ground, while your right hand plays with energy and personality.
- Lean into the jazz articulations and accents marked in the score; they're what give the piece its cartoon-like charm and forward momentum.
- Record yourself and listen for balance between the hands. The melody should sing clearly over the accompaniment patterns.
How to use it
Pair this with other animal-inspired works from Rollin's collections to build a thematic recital, or use it as a crowd-pleasing opener that establishes a contemporary jazz voice early in a program. It also serves as an excellent bridge piece between classical and jazz studies, introducing ensemble work if you add other instruments from Rollin's broader catalog.
Skills your students will build
- Swing eighth-note rhythms and jazz articulation
- Left-hand ostinato patterns and accompaniment independence
- Blues tonality and boogie woogie harmonic language
- Character interpretation and rhythmic storytelling
- Coordination of rhythmic drive across both hands