Jazz Menagerie, Book 2 Cover Image

Jazz Menagerie, Book 2: Piano Book

$5.99 USD
Sale price  $5.99 USD Regular price 
Skip to product information
Jazz Menagerie, Book 2 Cover Image

Jazz Menagerie, Book 2: Piano Book

6 Light-Hearted Solos in a Variety of Styles for the Early Intermediate Pianist

By Catherine Rollin

Level: Early Intermediate

Item: 00-14744

$5.99
Shipped

One moment…

Description
These two collections draw upon animals as a wonderful source of inspiration for the musical imagination. Students will enjoy the hints of jazz sounds and rhythms, but most importantly, these pieces will entertain and spark their imagination. Book 1 is written at the late elementary level while Book 2 contains solos at the early intermediate level. A Federation Festivals 2024-2028 selection.

Jazz Menagerie, Book 2: Piano Book isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
No sample audio found.
Sample Video
Additional Details
Publisher: Alfred Music
Page Count: 16
UPC: 038081133300
SKU: 00-14744

More about this title

About the Composer: Catherine Rollin

Catherine Rollin

Catherine Rollin balances an active performance schedule with mentoring accomplished students, having led workshops and masterclasses across the United States, Canada, Japan, and Taiwan. She holds a Bachelor of Musical Arts degree with distinction from the University of Michigan and a Master of Music degree from Oakland University School of Performing Arts.

Rollin's compositions have earned commissions from Clavier Companion, the Music Teachers National Association (MTNA), and the Michigan Music Teachers Association, with multiple works selected for the National Federation of Music Clubs Festivals Bulletin. She has served as a national judge for the MTNA Student Composition Competition and on the panel for the Lynn Freeman Olson Composition Contest. Her multimedia series Museum Masterpieces won an ASCAP award, and her commissioned trio Suite Detroit premiered at the MTNA 2018 national conference. The Steinway Society honored her in 2018 with a featured concert showcasing her work as both composer and pianist.

Why we love this

Rollin writes with a genuine understanding of what makes early intermediate pianists sit up and listen. These solos weave authentic jazz vocabulary into accessible melodic writing, so students hear real swing and syncopation without wrestling with awkward note placement. The animal themes offer narrative hooks that make the music memorable long after the recital.

What to expect

Animal characters come alive through short, punchy melodies and bluesy harmonic colors. The jazz rhythms feel playful rather than complex, with enough swing to feel authentic but enough clarity to keep young hands confident and engaged.

Who it's for

Early intermediate pianists ready to explore beyond classical technique. Students in this collection will encounter jazz vocabulary and swing rhythms in a friendly, structured setting that opens doors to improvisation and small-group performance without overwhelming reading demands.

How to get the most out of it

  • Let the blues scale figures breathe. Pianists often rush these jazzy passages out of unfamiliarity; mark the quarter-note pulse lightly and anchor each phrase to the beat before adding swing feel.
  • Explore the recorded accompaniment as a teaching tool before performance. Hearing the full arrangement helps students understand voice leading and where their melody sits in the harmonic picture.
  • Balance expressiveness with groove. The jazz idiom here invites some rhythmic freedom, but the underlying pulse should remain steady so the accompaniment track stays locked in.
  • Encourage students to exaggerate the character of each animal musically. Rollin's titles suggest specific moods and movement qualities that should shape dynamics and articulation choices.

How to use it

String several of these solos back-to-back on a recital or studio class to create a mini concert theme. They work equally well as solo features or as warm-ups in rehearsal, and their modest length makes them perfect for mixed-level student showcases where you want jazz representation that doesn't demand years of swing experience.

Skills your students will build

  • Reading and performing jazz swing rhythms and syncopation
  • Interpreting blues scale melody shapes in a harmonic context
  • Balancing written notation with stylistic flexibility in phrasing
  • Coordinating with recorded accompaniment for rhythmic accuracy
  • Developing expressive control through character-driven interpretation

You May Also Like