Kitten 'n' Mousin' on the Keys - Piano Solo: Piano Solo
6 Light-Hearted Solos in a Variety of Styles for the Early Intermediate Pianist
By Catherine Rollin
Level: Early Intermediate
Item: 00-PS-0017464
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More about this title
About the Composer: Catherine Rollin

Catherine Rollin balances an active performance schedule with mentoring students who consistently win competitions and festivals. Her teaching and composing have taken her across North America and Asia, where she leads masterclasses and workshops that influence music educators and young pianists.
Rollin earned her Bachelor of Musical Arts with distinction from the University of Michigan and her master's degree from Oakland University School of Performing Arts. Her compositions have been commissioned by MTNA, the Michigan Music Teachers Association, and Clavier Companion magazine, with numerous works selected for the National Federation of Music Clubs Festivals Bulletin. She has judged at the national level for MTNA and the Lynn Freeman Olson Composition Contest, and her ASCAP award-winning Museum Masterpieces series has been featured in concert by the Steinway Society.
Why we love this
Rollin captures genuine jazz vocabulary without overwhelming early intermediate players. The animal character titles give students immediate visual and emotional anchors, but the real win is how naturally the harmonic movement and syncopation feel under the fingers, making jazz style approachable rather than intimidating.
What to expect
These pieces carry playful energy without being trivial. The jazz elements swagger and bounce, catching moments of whimsy as titles like 'Kitten 'n' Mousin'' suggest, but the writing is genuinely musical rather than cute.
Who it's for
Early intermediate pianists who have solid technique but limited exposure to jazz idioms will find these solos inviting and achievable. Teachers preparing students for festival competitions and those looking to diversify a recital program with contemporary, approachable jazz will value this collection's polish and playability.
How to get the most out of it
- Listen closely to how the swing eighth notes sit slightly behind the beat; students often want to play them straight or rush them, so isolate those rhythmic cells first
- Anchor the left-hand groove before layering the melody, especially when the hands work against each other rhythmically
- Experiment with dynamic shape across phrases rather than playing the entire piece at one volume level; these pieces have personality that responds to thoughtful light and shade
- Let the jazz harmonies breathe; resist over-pedaling, which muddies the independence between hands
How to use it
Slot these into a spring or early summer recital to refresh ears after a season of traditional classical repertoire. They also work beautifully in a multi-generational studio recital where teachers perform alongside students, since the 16-page collection offers enough material for varied pairings. Many studios use these as bridge pieces when introducing jazz history or style study into the curriculum.
Skills your students will build
- Jazz articulation and swing rhythm
- Reading and executing syncopated melodic lines
- Harmonic independence between hands
- Comping and groove awareness
- Style-specific phrasing and dynamic control