The Delta Queen (from Sister Amnesia's Country Western Nunsense Jamboree): Piano/Vocal/Chords
Highlights from 6 Classic Nunsense Musicals
Music and lyrics by Dan Goggin
Item: 00-PS-0016103
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Description
Titles: A Long, Long Way * A Love Like This * All I Want for Christmas * The Christmas Box * The Delta Queen * Double or Nothin' * Every Day of the Week Is a Saturday * Growing Up Catholic * Holier Than Thou * I Am Here to Stay * I Could've Gone to Nashville * I Just Want to Be a Star * I Left Him There * I'll Find a Song to Sing * If I Were a Catholic * Life Is a Game of Chance * My Fat Is My Fortune * No One Cared Like You * Nunsense Is Habit-Forming * Play a Country Enut * Santa Ain't Comin' to Our House * Say It in Yiddish * What Would Elvis Do?.
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More about this title
About the Composer: Dan Goggin
Dan Goggin created Nunsense in 1985, launching one of off-Broadway's longest-running shows and a cultural phenomenon that has spawned multiple sequels, regional productions, and international versions. His gift for irreverent comedy paired with genuinely singable melodies made him a distinctive voice in musical theater, blending vaudeville sensibilities with contemporary humor.
Why we love this
This is a vocal number that gives singers a comedic anchor in material they already love or want to discover. The arrangement serves the story and character without demanding operatic technique, making it accessible for performers across experience levels while preserving the theatrical charm that made Nunsense unforgettable.
What to expect
A wink and a grin set to music. The melody is conversational and unpretentious, letting the humor live in the lyrics and character rather than in vocal heroics. There's warmth underneath the comedy, a quality that keeps Nunsense songs memorable long after the laughter fades.
Who it's for
Piano/vocal performers preparing audition material, students in musical theater classes, and pianists accompanying singers in variety shows or revue settings. This works for anyone exploring the Nunsense catalog or building a comedic song library.
How to get the most out of it
- Nail the conversational phrasing in the verses; treat the lyrics as dialogue set to music rather than traditional song phrasing, which keeps the comedic timing intact.
- Work the accompaniment pattern into your fingers early so you can focus on lyrical clarity and character work rather than technical accuracy.
- Pay attention to any key or rhythmic shifts marked in the chart; Goggin often uses small surprises to land jokes, and missing them flattens the humor.
- Balance the vocal line so accompaniment stays supportive rather than overwhelming, especially if this is part of a larger production where clarity matters.
How to use it
Include this in a musical theater showcase or variety concert where comedic songs balance dramatic material. It pairs well with other Nunsense selections from the songbook if you're building a thematic set, or stands alone as a palate-cleansing moment in a larger recital.
Skills your students will build
- Interpreting comedic timing through music and lyric
- Reading lead sheet notation and chord symbols
- Coordinating vocal line with piano accompaniment patterns
- Sustaining character voice over multiple verses without vocal strain