I’ll Find a Song to Sing (from Meshuggah-Nuns): Piano/Vocal/Chords
Highlights from 6 Classic Nunsense Musicals
Music and lyrics by Dan Goggin
Item: 00-PS-0016108
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Description
Titles: A Long, Long Way * A Love Like This * All I Want for Christmas * The Christmas Box * The Delta Queen * Double or Nothin' * Every Day of the Week Is a Saturday * Growing Up Catholic * Holier Than Thou * I Am Here to Stay * I Could've Gone to Nashville * I Just Want to Be a Star * I Left Him There * I'll Find a Song to Sing * If I Were a Catholic * Life Is a Game of Chance * My Fat Is My Fortune * No One Cared Like You * Nunsense Is Habit-Forming * Play a Country Enut * Santa Ain't Comin' to Our House * Say It in Yiddish * What Would Elvis Do?.
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More about this title
About the Composer: Dan Goggin
Dan Goggin created Nunsense, the longest-running off-Broadway musical in history, which opened in 1985 and became a cultural phenomenon. His gift for comedy and satirical songwriting earned him two Tony Award nominations and established him as a master of musical theater that appeals across generations. Goggin's work combines sharp wit with accessible melodies, making his songs both immediately entertaining and surprisingly substantive.
Why we love this
This collection captures the irreverent humor and clever melodic writing that made Nunsense a theatrical institution. The piano/vocal/chords format lets pianists and singers work through this rich catalog at their own pace, whether for auditions, recital programming, or just pure entertainment. Goggin's songs balance comedy with real musicality, so there's always something genuine beneath the laughs.
What to expect
These songs sparkle with warmth and mischief. The music dances around ecclesiastical themes and Catholic identity with genuine affection rather than meanness, creating a joyful irreverence that feels almost like a musical wink. You'll find yourself smiling at both the jokes and the craftsmanship.
Who it's for
This book serves singers and pianists preparing Nunsense material for auditions, recitals, or concert performances, as well as directors building cabaret-style programs or theater review concerts. It's invaluable for music theater programs studying contemporary musical comedy and for accompanists who need accessible, reliable arrangements of this beloved score.
How to get the most out of it
- Lean into the comedic timing of the lyrics without sacrificing vocal line clarity; the humor lands best when the melody stays grounded and legible.
- Use the piano part as your rhythmic anchor in comedic moments where the lyrics might tempt you to rush or drag for effect.
- Pay close attention to Goggin's harmonic changes, which often undercut expectations in ways that enhance the satire.
- In ensemble numbers, ensure each voice part is heard distinctly so the layered jokes and harmonies register with your audience.
How to use it
This collection works beautifully in cabaret concerts, variety shows, or theater review programs where you want to mix crowd-pleasing comedies with genuine musicality. It's also an excellent resource for music theater programs designing audition workshops or for schools celebrating anniversary milestones with a retrospective concert.
Skills your students will build
- Comic timing and rhythmic control in comedic vocal delivery
- Harmonic analysis of contemporary musical theater writing
- Collaborative accompaniment skills balancing comedic support with musical integrity
- Interpreting satirical lyrics while maintaining vocal technique