My Fat Is My Fortune (from <i>Meshuggah-Nuns</i>) Sheet Music Preview

My Fat Is My Fortune (from Meshuggah-Nuns): Piano/Vocal/Chords

Highlights from 6 Classic Nunsense Musicals

Music and lyrics by Dan Goggin

Item: 00-PS-0016111

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Description
Commemorate the 25th anniversary of Nunsense with Nunsense: The 25th Nunniversary Songbook, arranged for Piano/Vocal/Chords.

Titles: A Long, Long Way * A Love Like This * All I Want for Christmas * The Christmas Box * The Delta Queen * Double or Nothin' * Every Day of the Week Is a Saturday * Growing Up Catholic * Holier Than Thou * I Am Here to Stay * I Could've Gone to Nashville * I Just Want to Be a Star * I Left Him There * I'll Find a Song to Sing * If I Were a Catholic * Life Is a Game of Chance * My Fat Is My Fortune * No One Cared Like You * Nunsense Is Habit-Forming * Play a Country Enut * Santa Ain't Comin' to Our House * Say It in Yiddish * What Would Elvis Do?.

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Additional Details
Publisher: Alfred Music
Page Count: 168
SKU: 00-PS-0016111

More about this title

About the Composer: Dan Goggin

Dan Goggin created Nunsense in 1985, crafting both the music and lyrics for what would become one of the longest-running off-Broadway musicals in history. His gift for comedic timing through song, combined with an ear for accessible melodies and clever rhyme schemes, made Nunsense a cultural phenomenon that appealed equally to theater audiences and community theater groups. Goggin's work demonstrated that musical theater doesn't require elaborate orchestration or dramatic intensity to resonate; humor, heart, and singable melodies are often enough.

Why we love this

This collection captures the irreverent charm that made Nunsense a staple of community theater and amateur productions for decades. "My Fat Is My Fortune" sits alongside two dozen other numbers that blend absurdist humor with genuinely memorable melodies, giving singers and pianists material that's fun to perform without requiring operatic vocal range or virtuosic keyboard technique. For directors programming revue-style concerts or seeking songs with built-in comedic payoff, this songbook opens doors to recognizable, audience-friendly material that audiences actually want to hear.

What to expect

These arrangements carry the infectious irreverence of off-Broadway comedy songs from the 1980s and beyond; they're clever without being coy, funny without being mean-spirited, and always in service of a story or character moment. The piano/vocal format preserves the theatrical intimacy while remaining simple enough for non-specialists to realize.

Who it's for

Community theater directors and music teachers seeking Broadway-adjacent material that generates immediate audience engagement without requiring advanced singers or instrumentalists. Amateur theater groups, school musical theater classes, and performers building revue or cabaret programs will find these songs instantly accessible and reliably entertaining.

How to get the most out of it

  • Treat the piano part as your ensemble partner rather than mere accompaniment; Goggin's arrangements often feature melodic counterpoint and rhythmic interplay that keeps the accompanist engaged throughout the song.
  • Lean into the comedic delivery without sacrificing vocal clarity; these songs work because the audience hears every joke, so articulation and diction matter as much as character work.
  • Balance the singability of these melodies with rhythmic precision, particularly in faster patter passages where the fun evaporates if the tempo wavers.

How to use it

"My Fat Is My Fortune" works beautifully in a themed concert celebrating comedy in musical theater, or as a standalone novelty number in a larger revue. This songbook also serves as a resource for drama classes studying how comedic timing translates to song performance, giving students accessible examples of how music and humor can enhance each other.

Skills your students will build

  • Comic timing and rhythmic precision in patter singing
  • Sight-reading lead sheet notation with chord symbols
  • Character development through song lyric interpretation
  • Collaborative listening between vocalist and accompanist
  • Sustaining comedic energy across longer narrative songs

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