The Dancing Master Cover Image

The Dancing Master: String Orchestra Conductor Score

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The Dancing Master Cover Image

The Dancing Master: String Orchestra Conductor Score

By John Playford / arr. Andrew H. Dabczynski

Grade: 2

Item: 00-49054S

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Description
English country dancing has been popular for over 300 years, and The Dancing Master features two delightful folk tunes in that timeless style arranged by Andrew H. Dabczynski. The first lively tune, "Jamaica," has been used in the theme to the British TV comedy, Upstart Crow, and the second, "The Goddesses," offers a charming contrast. Attributed to John Playford, these melodies fall under the fingers of beginning string students with interesting, rhythmic parts for all players. An optional hand-drum part adds to the upbeat 17th century dance atmosphere. (2:10)

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Additional Details
Series: Highland/Etling String Explorer
Publisher: Alfred Music
Page Count: 8
ISBN10: 1-4706-4567-X
ISBN13: 978-1-4706-4567-0
UPC: 038081564159
SKU: 00-49054S

More about this title

About the Composer: John Playford

John Playford (1623-1686) was an English music publisher, composer, and dancing master whose collections shaped the repertoire of English country dance for centuries. His publications, including The English Dancing Master, preserved melodies that defined the social music of 17th-century England and remain foundational to the folk tradition today.

Playford's genius lay in creating accessible, memorable tunes suited to both amateur musicians and dancers. His work established conventions for country dance that influenced English musical culture well into the modern era, making him essential to understanding this genre's enduring appeal.

Why we love this

This arrangement brings genuine historical material to beginners without condescension. Dabczynski balances rhythmic interest across all parts so every player feels engaged, and the contrast between the bouncy Jamaica and the graceful Goddesses gives your orchestra shape and character within a single, memorable work.

What to expect

Imagine stepping into a country manor house where musicians and dancers move together in practiced, joyful synchrony. The first tune dances with infectious energy, while the second slows to a graceful sway, both grounded in centuries of lived tradition rather than artificial pastiche.

Who it's for

String orchestras in grades 2-3 benefit most from this work. Beginning players gain rhythmic independence and melodic security while still feeling part of something spirited and stylish, and conductors gain a piece that teaches ensemble awareness without technical overload.

How to get the most out of it

  • Emphasize the rhythmic drive in Jamaica by locking the bow articulations between sections; the infectious quality of this tune depends on crisp ensemble attacks.
  • Let The Goddesses breathe with a slightly longer bow and softer dynamic. This melody rewards legit phrasing and gives players a chance to shape individual lines.
  • If using the optional hand-drum part, keep it light and playful rather than loud. It colors the 17th-century dance atmosphere without overwhelming the strings.
  • Mark clear section transitions in your score so players understand the structural shift. The contrast is the whole point.

How to use it

Open a concert with Jamaica to establish warmth and energy with your audience, or use The Goddesses as a gentle interlude between heavier works. Both tunes fit comfortably into a heritage or folk-inspired program that celebrates the strings' lyrical and rhythmic capabilities.

Skills your students will build

  • Rhythmic precision in ensemble context
  • Articulation control across bow changes
  • Legit bow distribution and phrasing
  • Listening for balance in two-part harmonic textures
  • Stylistic contrast between lively and graceful tempos

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