The Christmas Waltz Sheet Music Preview

The Christmas Waltz: Choral Octavo Digital SoundPax

Words by Sammy Cahn, music by Jule Styne / arr. Mark Hayes

Item: 00-PK-0006402

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Description
Originally written for and premiered by Frank Sinatra as the B-side of his "White Christmas" recording, this holiday favorite has been covered by more than forty artists, including Rosemary Clooney, Tony Bennett, Kristin Chenoweth, and Harry Connick Jr. "Frosted windowpanes . . ."

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, The Christmas Waltz: Choral Octavo Digital SoundPax comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
SKU: 00-PK-0006402
Instrumentation: SoundPax

More about this title

About the Composer: Jule Styne

Jule Styne (1905-1975) composed for Broadway, Hollywood, and popular music with equal facility, creating melodies that balanced sophistication with immediate appeal. His gift for singable, memorable lines made him a go-to composer for vocalists across genres, and his work shaped the sound of mid-century American song.

Why we love this

Mark Hayes's arrangement captures the elegant sophistication of the original without losing the waltz's intimate warmth. The blend works beautifully for mixed choirs who want something seasonal that feels genuinely musical rather than novelty-driven, and the recorded accompaniment gives smaller programs access to full orchestral texture.

What to expect

Nostalgic and elegant, with the unhurried grace of a mid-century ballroom. The waltz rhythm creates a gentle sway while the harmony keeps things refined and warm, never sentimental.

Who it's for

Choirs of intermediate ability who want polished holiday repertoire with genuine musical substance. This arrangement works equally well for community groups, church choirs, and school ensembles aiming for a concert that feels sophisticated without being overly complex.

How to get the most out of it

  • Balance the melody across your ensemble so the lyric lands clearly; this piece relies on the sung line rather than harmonic complexity.
  • Keep the three-quarter meter buoyant but unhurried; resist the urge to rush the waltz character.
  • Use the SoundPax accompaniment to rehearse interior parts independently, then gradually layer voices in for a seamless blend.
  • Shape phrases with gentle dynamic contours rather than static singing; the melody benefits from subtle breathing and line work.

How to use it

Pair this with other secular holiday standards to build a concert that appeals beyond Christmas itself. It works as a solo moment of elegance among livelier pops arrangements, or as the centerpiece of a program devoted to classic American song.

Skills your students will build

  • Singing in three-four meter with consistent ensemble timing
  • Balancing melody and harmony in a legit vocal style
  • Shaping longer phrases with dynamic control
  • Blending voices across a range to support a single vocal line

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