The Bones Cover Image

The Bones: SSA Choral Octavo

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The Bones Cover Image

The Bones: SSA Choral Octavo

Words and music by Laura Veltz, Jimmy Robbins, and Maren Morris / arr. Alan Billingsley

Item: 00-48515

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Description
A certified gold crossover hit! "When the bones are good, the rest don't matter. The paint could peel, the glass could shatter." A house becomes an effective symbol for an enduring relationship in this solid pop ballad from Maren Morris. This right-from-the-radio arrangement captures all of the earthy harmonies and keeps the strong backbeat groove intact.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, The Bones: SSA Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081553382
SKU: 00-48515

More about this title

Why we love this

Alan Billingsley's arrangement proves that pop crossovers work best when they honor the original's DNA rather than oversimplify it. The SSA voicing keeps the earthy harmonies front and center while the rhythmic groove stays grounded enough for rehearsal clarity without losing radio-ready energy. This is the rare contemporary pop arrangement that sounds equally natural sung a cappella or with the optional instrumental parts.

What to expect

Intimate and grounded, like someone sharing a hard-won truth over coffee. The arrangement wraps you in warm harmonies that feel lived-in rather than polished, with enough rhythmic backbone to keep momentum through its reflective moments.

Who it's for

Choirs seeking contemporary repertoire that connects with singers and audiences without talking down to either. This works for high school choirs, community ensembles, and adult groups looking to program something current and emotionally resonant.

How to get the most out of it

  • Anchor the backbeat in your rhythm section or body percussion; the groove is the backbone of this arrangement, so lock it before layering the vocal lines.
  • Let the SSA voicing breathe in the verses; resist stacking too much volume early and save the fuller blend for the structural payoff in the chorus.
  • Shape the lyric "When the bones are good" as a statement of quiet confidence rather than belting it, then build the emotional arc from there.
  • Balance the upper voice melody line with the supporting parts so the main hook remains audible even in fuller sections.

How to use it

Place this in a pop or contemporary set where it can anchor an emotional moment; its understated strength works beautifully before or after more theatrical numbers. Consider pairing it with other country-pop crossovers or using it as a concert closer that leaves audiences thinking rather than cheering.

Skills your students will build

  • Balancing melody with inner harmonies in SSA voicing
  • Maintaining rhythmic precision in pop grooves without over-driving the tempo
  • Interpreting lyrical storytelling in contemporary ballad contexts
  • Blending upper voice leads while supporting lower voice lines

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