That's Entertainment: Choral Octavo SoundPax

Alan Billingsley's arrangement strips this classic to its theatrical essence: a solo spotlight that invites personality, a driving 2-beat that feels fresh rather than quaint, and room for choreography that lets singers perform, not just sing. Choirs gravitate toward this because it works equally well as an opener, finale, or standalone concert moment, and the playfulness of the material itself makes singers want to commit to the fun.

Buoyant, glamorous, and unapologetically theatrical. The piece opens with intimacy and starlight, then swings into a propulsive groove that begs for movement and flair. There's a sense of controlled chaos here—the kind of energy that makes an audience sit forward in their seats.

This octavo reaches choirs ready to embrace theatre and personality in their performance. Whether your ensemble is experienced in musical theatre style or new to Broadway repertoire, the arrangement's accessibility and built-in fun invite singers of all ages to lean into showmanship.

• Shape the opening solo with intentionality; it sets the tone for the entire number and should feel like a genuine moment before the ensemble erupts into full sound.
• Lock the 2-beat pulse early in rehearsal so the bounce stays consistent through all the choreography. A sagging rhythm undercuts the theatrical energy.
• Balance clarity in the lyrics with ensemble blend; the showbiz humor lands only if the audience catches the words without losing the cohesion of the full choir.
• Trust the kick-line choreography as a musical device, not an afterthought. The rousing finish needs synchronized movement to land the final punch.

Program this as a concert opener to immediately energize the room and set a tone of joy and performance. It also works beautifully as a finale or standalone theme piece for a concert built around Great American Songbook material. The short length and theatrical punch make it ideal for competitions, pops concerts, or any program that benefits from a jolt of theatrical confidence.

• Singing in 2-beat style with consistent rhythmic groove
• Balancing solo and ensemble textures
• Sustaining lyrical clarity and storytelling through choreography
• Interpreting theatrical style and personality without oversinging
• Coordinating ensemble movement with musical phrasing