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That's Entertainment: Choral SoundTrax CD

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That's Entertainment: Choral SoundTrax CD

Words by Howard Dietz, music by Arthur Schwartz / arr. Alan Billingsley

Item: 00-51604

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Description
Lady Gaga released her cover of this showbiz standard on Harlequin, a companion album to the film Joker: Folie à Deux. Opening with a short spotlight solo and then breaking into a bouncy Broadway 2-beat, this theatrical arrangement is sure to thrill choirs of all ages! This stage-worthy opener, finale, or concert theme song craves choreo, including even a kick-line toward the rousing finish. Don't miss the spectacular orchestration on our pizazzy SoundTrax and SoundPax accompaniment.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 038081591049
SKU: 00-51604

More about this title

About the Composer: Howard Dietz

Howard Dietz was a legendary lyricist and librettist who shaped the sound of American musical theatre from the 1920s through the 1950s. Working frequently with composer Arthur Schwartz, he created some of the Great American Songbook's most enduring standards, blending witty, conversational lyrics with theatrical flair. His work defined an era of sophisticated entertainment and remains central to the American musical canon.

Dietz also served as head of publicity for MGM during Hollywood's golden age, a role that informed his deep understanding of showbiz glamour and storytelling. His collaborations with Schwartz produced multiple Broadway hits and film scores that continue to captivate performers and audiences alike.

Why we love this

Alan Billingsley's arrangement captures the theatrical swagger of this standards-era gem without losing the bounce and charm that made it a showstopper. The SoundTrax recording is genuinely pizazzy, giving your singers a reference that sounds like a real Broadway pit band, which makes rehearsals feel like actual concert prep rather than practice sessions. Best of all, the built-in choreography cues (especially that kick-line finish) give even reluctant singers a reason to commit fully to the stage picture.

What to expect

Stepping into a Broadway spotlight and owning the stage. The bouncy 2-beat infectious and propulsive, the orchestration gloriously theatrical, and the finish triumphant enough to anchor an entire concert. There's a built-in grin factor here that singers feel the moment the ensemble kicks in.

Who it's for

Any choir seeking a high-energy opener, closer, or concert anchor that works across age groups and ability levels. The showbiz flavor appeals to teens and adults alike, while the theatrical arrangement handles strong singers and more modest ensembles with equal effectiveness.

How to get the most out of it

  • Nail the opening solo spotlight moment; it's your conductor's cue to establish the theatrical tone before the ensemble enters with that bouncy 2-beat. Clarity and swagger here set the audience's expectation for what's coming.
  • Balance the energy of the recorded accompaniment carefully in early rehearsals so the choir can lock in the rhythmic pocket without being overpowered. Once they own the groove, gradually bring the track up to performance level.
  • Plan your choreography blocking before the first full run-through. The kick-line and stage movement are integral to the arrangement's payoff, not decoration, so rehearse them alongside the vocal lines from the start.
  • Keep the 2-beat feel light and bouncy rather than heavy. This is vaudeville swagger, not march tempo. Conductor clarity on the jazz-influenced rhythms will help the ensemble stay buoyant through the finish.

How to use it

Open your concert with this and let the audience know immediately that you're serving fun and professionalism in equal measure. It works equally well as a finale if you want to send the crowd out energized. Program it alongside other Great American Songbook standards or use it as a bridge between classical and contemporary selections to keep the evening's flavor fresh.

Skills your students will build

  • Jazz phrasing and rhythmic precision in a 2-beat feel
  • Theatrical presence and stage awareness with choreography integration
  • Following a recorded accompaniment track with ensemble blend
  • Stylistic contrast between the opening solo moment and the full ensemble sections
  • Confidence performing repertoire rooted in American popular song tradition

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