That's All: SSA Choral Octavo
Words and music by Bob Haymes and Alan Brandt / arr. Kirby Shaw
Item: 00-PO-0007894
Minimum order quantity: 20 copies
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Description
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More about this title
About the Composer: Bob Haymes
Bob Haymes was an American composer and lyricist who shaped the sound of mid-century popular music. His songwriting career spanned radio, film, and the recording industry, where he collaborated with some of the era's most distinctive artists. Haymes brought a gift for melody and emotional directness to his work, creating songs that have endured through countless interpretations.
Why we love this
Kirby Shaw's arrangement sits perfectly in the sweet spot between authenticity and accessibility. A 12/8 jazz ballad feels like a natural fit for teen and adult choirs discovering the Great American Songbook, and the SSA voicing opens this lush standard to singers who might otherwise skip it. The recorded accompaniment and optional instrumental parts make this a genuine asset for pop programming throughout the school year.
What to expect
Warm, tender, and unhurried. The 12/8 meter gives the piece a floating quality that matches the romantic sentiment of the lyric, while the lush chords create an intimate atmosphere even in a choral setting. There's a nostalgic confidence here, the feeling of a song that has already moved thousands of listeners and is ready to move thousands more.
Who it's for
This arrangement serves teen and adult choirs discovering jazz repertoire and pop choral styles for the first time. Directors looking to program a genuine Great American Songbook standard that doesn't condescend to newer singers will find the accessible voicing and straightforward harmonic language inviting.
How to get the most out of it
- Lean into the 12/8 meter as a swing feel rather than three beats per measure; the rhythm section (available via SoundPax) will anchor the jazz aesthetic if you let it breathe.
- Balance the harmony carefully during sustained chords so the lush voicing doesn't blur; crisp consonant release helps the warm sound stay clean.
- Build the emotional arc gradually through the form; this is a romantic song, so resist the urge to rush or pile on dynamic contrast early.
- Consider adding the optional guitar and bass parts even if you use the recorded accompaniment; live rhythm section presence deepens the performance quality considerably.
How to use it
Program this as a pops set anchor or a concert closer when you want something with genuine emotional weight and jazz credibility. It works especially well paired with other standards or contemporary jazz arrangements, and the flexibility of timing makes it an excellent choice for a spring or winter concert where you're blending classic repertoire with pop idioms.
Skills your students will build
- Singing in 12/8 meter with a swing/jazz feel
- Balancing sustained harmonic layers in SSA voicing
- Interpreting dynamics and phrasing in a ballad context
- Listening to and responding to rhythm section accompaniment
- Building emotional arc across a complete song form