That's All: Choral SoundPax Digital Download

Kirby Shaw's arrangement preserves the lyrical warmth of this classic while making the jazz idiom genuinely approachable for singers still building their stylistic vocabulary. The 12/8 meter creates a natural swing feel, and the varied voicings mean singers of different experience levels can find their place without feeling sidelined. Programming a standards-based jazz selection this well-written elevates your pop concert and proves to audiences that contemporary choral music encompasses more than pop-rock hybrids.

Warm, understated elegance. The 12/8 meter creates a floating quality that feels both dreamy and grounded, while the harmonic language suggests late-night jazz clubs and intimate moments. There's nostalgia here, but it's genuine nostalgia rather than pastiche, you can hear why people keep coming back to this song.

This arrangement welcomes teen and adult choirs encountering jazz standards for the first time. The accessible voicings and emotional directness of the tune make it ideal for groups building confidence in the Great American Songbook without technical barriers. Directors looking to program a genuine standard that enhances rather than simplifies the original will find a resourceful partner here.

• Shape the vocal lines with legit, connected phrasing rather than separating each phrase. The 12/8 meter should feel like one long breath flowing across multiple measures.
• Listen closely to the rhythm section in the accompaniment track. The guitar voicings and bass movement establish the jazz harmonic language; have singers follow that harmonic color with their blend.
• Approach the lyrics conversationally. This is a love song, not a ballad. Let the warmth come through without oversinging or adding unnecessary vibrato.
• Use the SoundPax accompaniment to lock the ensemble's time feel. Jazz swing requires precision, and rehearsing with the recorded rhythm section trains ears and internal pulse quickly.

Position this alongside other standards to anchor a "Jazz Classics" segment on a pop or pops concert. The accessible arranging and recorded accompaniment make it manageable in rehearsal, so it won't demand disproportionate sectional time while still delivering the sophistication and warmth your audience expects from a well-curated evening. It works equally well as a closer or as part of a medley celebrating American songwriting.

• Singing in swing rhythm and understanding the stylistic difference between straight and swung eighths
• Listening to and blending with jazz harmony voicings (particularly extended tertian chords)
• Shaping long musical phrases in 12/8 meter without losing forward momentum
• Balancing legit vocal tone with jazz inflection and conversational phrasing