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That Lonesome Road: SAB, <i>a cappella</i> Choral Octavo

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That Lonesome Road Cover Image

That Lonesome Road: SAB, a cappella Choral Octavo

Words and music by James Taylor and Don Grolnick / arr. Kirby Shaw

Item: 00-46944

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Description
James Taylor's beautiful ballad gains new life in this simply stated a cappella setting by arranger Kirby Shaw. Sensible voice leading makes chords easy to tune, uncomplicated rhythms allow the text to speak. Awesome, accessible writing in every edition.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, That Lonesome Road: SAB, a cappella Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 4
UPC: 038081535937
SKU: 00-46944

More about this title

About the Composer: James Taylor

James Taylor emerged as one of American popular music's most enduring singer-songwriters, known for his warm baritone and introspective lyrics that blend folk, country, and soul influences. His catalogue spans five decades of recordings and live performances, establishing him as a foundational figure in singer-songwriter tradition whose work rewards careful interpretation across many musical contexts and arrangements.

Why we love this

Kirby Shaw's arrangement strips this classic to its emotional core without oversimplifying the harmonic content. The sensible voice leading means your SAB singers can focus entirely on the lyrical story rather than wrestling with awkward chord voicings, and that's when this song does its best work.

What to expect

Intimate and reflective, this arrangement invites the listener into a private moment. The a cappella texture creates immediacy; there's nowhere for the sound to hide, only the singers' voices and the story they're telling together.

Who it's for

SAB choirs seeking repertoire that sits comfortably in the middle voice range while maintaining genuine musical substance. This works equally well for concert settings and less formal performances, making it ideal for programs that need accessible material without sacrificing artistry.

How to get the most out of it

  • Treat the text as your tuning guide. The words are so direct and familiar that singers often rush past them; slow the rehearsal tempo and ask singers to voice each lyric with intention before adding pitch precision.
  • Balance the soprano and alto parts carefully in the verses. With only three voices and no instrumental support, even slight imbalance in the upper voices will muddy the harmonic clarity Shaw has built in.
  • Use the rests as structural breath points rather than dead space. A cappella requires singers to manage their own phrasing, so make sure these moments feel purposeful and connected to the emotional arc.
  • Record sectionals and have singers listen back to themselves as a part, not just the full choir. Without instrumental grounding, individual voices have nowhere to hide, and this honesty is actually the arrangement's greatest strength.

How to use it

Place this in a program where its quiet introspection can breathe, perhaps following a more energetic piece or anchoring a thematic set about resilience and reflection. The accessibility and emotional directness make it an excellent choice for mixed audience settings where you want to connect with singers and listeners who might not identify with classical choral literature.

Skills your students will build

  • Tuning seventh and ninth chords without instrumental reference
  • Maintaining pitch integrity in a cappella texture across multiple phrases
  • Balancing homophonic and near-unison passages
  • Lyrical phrasing and text-based interpretation in contemporary pop style
  • Listening to ensemble blend without harmonic anchor

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