Tauriel and Kili (from The Hobbit: The Desolation of Smaug): Piano/Vocal/Chords
Sheet Music Selections from the Original Motion Picture Soundtrack
Music composed by Howard Shore
Item: 00-PS-0015926
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Description
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More about this title
About the Composer: Howard Shore
Howard Shore is a three-time Academy Award-winning composer whose orchestral scores have shaped modern cinema. His work on Peter Jackson's The Lord of the Rings trilogy and The Hobbit films demonstrates his mastery of expansive, thematically rich composition that weaves together leitmotifs, folk influences, and symphonic depth.
Shore's approach to film scoring emphasizes melody and emotional clarity alongside technical sophistication, making his music both accessible to performers and rewarding to study. His scores function as complete musical narratives, which is why they translate so effectively to piano arrangements for educational and recreational musicians.
Why we love this
Shore's Middle-earth scores contain some of the most singable, musically coherent melodies in contemporary film music, and this collection captures 19 of them in accessible piano arrangements. The variety across the 64 pages gives pianists meaningful repertoire that ranges from intimate character themes to sweeping orchestral moments, all grounded in Shore's signature harmonic language. Pairing these pieces with film stills creates a natural bridge between cinema and music study, giving students visual context for the emotional arc they're learning to play.
What to expect
These pieces evoke the scale and wonder of Middle-earth, even when distilled to piano and voice. Shore's melodies carry an Old World quality blended with moments of genuine urgency and darkness, creating emotional variety across the collection. Whether tender (as in character moments like Tauriel and Kili) or propulsive (as in the quest themes), the music balances accessibility with harmonic sophistication.
Who it's for
This collection serves pianists who want to explore a substantial body of thematic material written by a master orchestrator, whether for recital programming, studio exploration, or simply the pleasure of playing film music they know and love. Pianists comfortable with intermediate to advanced repertoire will find arrangements that respect Shore's original compositional voice while making efficient use of the keyboard.
How to get the most out of it
- Shape the melodic lines with attention to where Shore places his emotional peaks; these themes often build gradually, and linear phrasing will flatten what makes them memorable.
- Treat the harmonic accompaniment as active support rather than filler; Shore's voicings frequently carry important color and forward motion that can be buried if chords are played mechanically.
- Reference the film's pacing if available; knowing whether a moment is tender, urgent, or majestic informs the tempo and tone you choose, especially in passages marked with tempo flexibility.
How to use it
Solo pianists can extract individual pieces for student or professional recitals, building a program around contrasting moods and tempos from the same compositional world. Voice students and singers with piano accompaniment will find vocal arrangements alongside the pure piano settings, offering flexibility for mixed recital formats. Teachers can assign selections strategically throughout a year to build students' familiarity with leitmotif technique and how composers create character through musical means.
Skills your students will build
- Recognizing and executing leitmotif development across different harmonic contexts
- Pedal control in arrangements that balance orchestral texture with clarity
- Interpreting tempo and phrasing in music written for film, where rubato and breathing differ from concert tradition
- Balancing melody and accompaniment when converting orchestral scoring to keyboard voicing
- Reading and performing vocal lines with piano support in theatrical contexts