Sweet Silent Night Cover Image

Sweet Silent Night: 3-Part Mixed Choral Octavo

$2.20 USD
$2.20 USD
Skip to product information
Sweet Silent Night Cover Image
Sweet Silent Night: 3-Part Mixed Choral Octavo

Sweet Silent Night: 3-Part Mixed Choral Octavo

Words and music by Andy Beck

Item: 00-51136
makemusic Cloud badge

Need it now?

Buy Digital Version
$2.20
Shipped

One moment…

Related Items

Sweet Silent Night: SATB Choral Octavo

$2.20
View

Sweet Silent Night: 3-Part Mixed Choral Octavo

$2.20
View

Sweet Silent Night: 2-Part Choral Octavo

$2.20
View
Description
Paint a peaceful winter scene with the tender vocal lines and ethereal piano accompaniment of this striking original. A gentle ode to heavenly stars and falling snow, it is appropriate for any winter concert and features the kind of harmony you love to teach and sing. As a special touch, perform the final verse a cappella to heighten the quiet wonder. "Hearts take hold, dreams take flight, on this sweet silent night."

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Sweet Silent Night: 3-Part Mixed Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Open in the Player

Jump straight in and assign it today.

Start Your Free Trial

Open this title and explore the full library in minutes.
Sample Pages

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 8
UPC: 038081581736
SKU: 00-51136

More about this title

About the Composer: Andy Beck

Andy Beck

Andy Beck directs choral publications at Alfred Music and has composed and arranged more than 450 choral works now in publication. His vocal resources span from children's musicals to sight-singing curricula, including the widely adopted Sing at First Sight and Vocalize! 45 Vocal Warm-Ups That Teach Technique. A trained tenor with degrees in music education from Ithaca College and Northwest Missouri State University, Beck remains active as a guest conductor, adjudicator, and clinician across the United States.

Beck's commitment to choral artistry extends beyond composition into performance and advocacy for music literacy. He has guest conducted honor choirs and all-state groups throughout the Southeast, served as a commissioned composer for regional festivals, and sung with the North Carolina Master Chorale Chamber Choir. His work as an Alfred studio singer since 1992 reflects a lifelong investment in both the craft and the teaching of music.

Why we love this

Beck writes harmony that singers genuinely enjoy learning and performing. The SAB voicing sits comfortably for mixed ensembles without sacrificing musicality, and the pianistic accompaniment never overshadows the vocal lines. The optional a cappella ending is a compositional choice that rewards preparation and delivers real textural impact in concert.

What to expect

The piece conjures a quiet, starlit evening with softly falling snow. Tender vocal lines float over gentle harmonic motion, creating space and stillness rather than drama, and the move to a cappella singing in the final verse deepens that sense of wonder and intimacy.

Who it's for

This works beautifully for mixed choirs at the middle school, high school, or community level. It suits programs seeking accessible yet musically substantial winter concert material that doesn't demand extensive vocal range or complex part independence.

How to get the most out of it

  • Balance the three parts carefully during rehearsal by isolating each line with piano support, then gradually reducing accompaniment as blend improves.
  • Pay particular attention to vowel consistency on sustained notes; the ethereal quality depends on uniform tone production across all three voices.
  • Begin planning the a cappella final verse early in rehearsal so singers build confidence singing without accompaniment before the concert.
  • Use the recorded accompaniment to establish the gentle, contemplative tempo; resist rushing through phrases.

How to use it

Program this as a gentle focal point on a winter concert, perhaps pairing it with more energetic seasonal fare to showcase stylistic range. The a cappella finale makes it memorable as a concert closer or as part of a medley that alternates accompanied and unaccompanied moments. Its accessibility also qualifies it for festival or contest performance.

Skills your students will build

  • Blending three independent vocal lines with attention to vowel uniformity
  • Sustained singing and breath management across longer phrases
  • Unaccompanied singing with confident intonation
  • Following piano accompaniment without vocal doubling
  • Shaping musical phrases to convey a contemplative mood

You May Also Like